I didn’t see films when I was young. I was stupid and naïve. Maybe I wouldn’t have made films if I had seen lots of others; maybe it would have stopped me.
AGNES VARDAPeople like my films. They understand me through my films; it’s like a connection that has been established between all my work and myself and the audience and the viewer.
More Agnes Varda Quotes
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I had beautiful jewelery around me, and when I lost I would take the jewelery and say, Service – being very generous, because it was very expensive jewelery. I would say, Tip.
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We need to find another way or another shape or an allegory or something that tells us more.
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I had a world. I don’t think I had a career. I made films.
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I didn’t have a list of things I should do this year, next year, find a good novel, sign two stars and make a deal – because I think cinema should come from cinema.
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I never adapted anything. Beautiful books are beautiful books, that’s it. I don’t know why we should transform them.
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Humor is such a strong weapon, such a strong answer. Women have to make jokes about themselves, laugh about themselves, because they have nothing to lose.
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I’m not nostalgic. My memories are back here in my mind.
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I need images, I need representation which deals in other means than reality. We have to use reality but get out of it. That’s what I try to do all the time.
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I’m interested in people who are not exactly the middle way, or who are trying something else because they cannot prevent themselves from being different, or they wish to be different, or they are different because society pushed them away.
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You have to be strong to be a carpenter, maybe, but the director of a film doesn’t need to have muscles.
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You know, an hour and fifty-four minutes is too much for audiences. They get nervous.
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I quit seeing some people who were saying bad things about women; I don’t even want to meet them or see them.
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Even Vagabond – it was a fiction but it was really a documentary. I mean, it has the texture of documentary. Even if I made up every line, it has the texture of being true.
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Sometimes I feel sad, but this is not nostalgia, because I don’t want time to come back.
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With Jane Birkin, we had a scene from a film called Jane B. by Agnès V. – a portrait I made in ’87. We had a casino scene, surrealistic, in which we had some naked people gambling. Jane Birkin was the card dealer and I was the player.
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