When I did the first edit of Les plages, it was very dry and very square in a way. I was just saying the minimum. I said, Well, if this is the minimum, I don’t make it. So I tried to make it more refined.
AGNES VARDAI hated myself totally white. So now I cheat. It’s my white hair, and I put color there.
More Agnes Varda Quotes
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I quit seeing some people who were saying bad things about women; I don’t even want to meet them or see them.
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I need images, I need representation which deals in other means than reality. We have to use reality but get out of it. That’s what I try to do all the time.
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If we opened people up, we’d find landscapes.
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Even Vagabond – it was a fiction but it was really a documentary. I mean, it has the texture of documentary. Even if I made up every line, it has the texture of being true.
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In my films I always wanted to make people see deeply. I don’t want to show things, but to give people the desire to see.
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Gleaning is getting things that are abandoned. I did not abandon my early pictures, my photos, my early films. It’s just going through my body of work as something I can pick from.
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I’ve always been like this – trying to find adventure where it’s still in its first élan – the first spring.
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You can buy a good pasta but when you cook it yourself it has another feeling.
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I’m sure they learn a lot, and some of them, it makes them aware of what they wish to do. I was – that’s the way I was – autodidact.
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You have to be strong to be a carpenter, maybe, but the director of a film doesn’t need to have muscles.
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I don’t do films pre-prepared by other people, I don’t do star system. So I do my own little thing.
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When I started I did not know I wanted to be a filmmaker. I started – I made a film. Then when I finished I said, Oh my god it’s so beautiful – I should be a filmmaker!
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I don’t believe in inspiration that arrives like a bolt from the blue … It seems to me that the more motivated I am by what I film, the more objectively I film.
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I don’t try to make a place in history at all! People put me in the history of cinema because my first film, La pointe-courte, was so ahead of some other filmmakers.
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Nostalgia doesn’t make sense, because it’s like bringing the memories back to be a special part of my day or to be part of my week. And I’m inside my memories the same way I’m inside my everyday life.
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