In this disintegrative, technologically-manic time, when public language is so debased, poetry continues to matter because it’s the art that reintegrates words, speech, voice, breath, music, bodily tempo, and the powers of the imagination.
ADRIENNE RICHThe marginal, the dependent variables. It lays the foundation for androcentric thinking, and leaves men safe in their solipsistic tunnel-vision.
More Adrienne Rich Quotes
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When one woman tells her truth, it makes a space for other women to tell their truths.
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“What do we want from each other/ after we have told our stories?” Where do we go to explore our stake with others in such a society?
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My heart is moved by all I cannot save: so much has been destroyed I have to cast my lot with those who age after age, perversely, with no extraordinary power, reconstitute the world.
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There is no ‘the truth’,’a truth’ – truth is not one thing, or even a system. It is an increasing complexity. the pattern of the carpet is a surface.
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False history gets made all day, any day, the truth of the new is never on the news False history gets written every day … the lesbian archaeologist watches herself sifting her own life out from the shards she’s piecing, asking the clay all questions but her own.
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In the interstices of language lie powerful secrets of the culture.
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Despair, when not the response to absolute physical and moral defeat is, like war, the failure of imagination.
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I think about the possibilities for empathy, for mutual solidarity among gay men and lesbians, not simply as people who suffer under homophobia, but as people who are also extremely creative, active, and have a particular understanding of the human condition.
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The danger lies in forgetting what we had. The flow between generations becomes a trickle, grandchildren tape-recording grandparents’ memories on special occasions perhaps-no casual storytelling jogged by daily life.
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The channel of art can only become clogged and misdirected by the artist’s concern with merely temporary and local disturbances. The song is higher than the struggle.
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What I discerned in the U.S. was a convergence of poetic voices coming from many different rents in the social fabric, many cultures, many tributaries, which, together, make up the American poetry of the late twentieth century.
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One does not give birth in a void, but rather in a cultural and political context. Laws, professional codes, religious sanctions, and ethnic traditions all affect women’s choices concerning childbirth.
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A life I didn’t choose chose me: even my tools are the wrong ones for what I have to do.
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I keep coming back to you in my head, but you couldn’t know that, and I have no carbons.
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When a woman tells the truth she is creating the possibility for more truth around her.
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Behind all art is an element of desire…Love of life, of existence, love of another human being, love of human beings is in some way behind all art.
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The will to change begins in the body, not in the mind.
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I feel more helpless with you than without you.
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One line typed twenty years ago can be blazed on a wall in spraypaint to glorify art as detachment or torture of those we did not love but also did not want to kill.
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I think my work comes out of both an intense desire for connection and what it means to feel isolated. There’s always going to be a kind of tidal movement back and forth between the two.
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Responsibility to yourself means refusing to let others do your thinking, talking, and naming for you; it means learning to respect and use your own brains and instincts; hence, grappling with hard work.
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Love, our subject: we’ve trained it like ivy to our walls.
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We lose touch with parts of ourselves defined as unacceptable by that consciousness; with the vital toughness and visionary strength of the angry grandmothers, the fierce market women of the Ibo’s Women’s War.
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Since men are loyal at least to their own world-view, their laws of brotherhood and self-interest.
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Only to have a grief equal to all these tears!
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The worker can unionize, go out on strike; mothers are divided from each other in homes, tied to their children by compassionate bonds; our wildcat strikes have most often taken the form of physical or mental breakdown.
ADRIENNE RICH