“False history gets made all day, any day, the truth of the new is never on the news False history gets written every day … the lesbian archaeologist watches herself sifting her own life out from the shards she’s piecing, asking the clay all questions but her own.”

In such a world women will truly create new life, bringing forth not only children if and as we choose but the visions, and the thinking, necessary to sustain, console and alter human existence-a new relationship to the universe.

That’s why I want to speak to you now. To say: no person, trying to take responsibility for her or his identity, should have to be so alone.

We have no familiar, ready-made name for a woman who defines herself, by choice, neither in relation to children nor to men, who is self-identified, who has chosen herself.

It is important to do this because we can count on so few people to go that hard way with us.

The ocean, whose tides respond, like women’s menses, to the pull of the moon, the ocean which corresponds to the amniotic fluid in which human life begins.

When someone with the authority of a teacher, say, describes the world and you are not in it, there is a moment of psychic disequilibrium, as if you looked into a mirror and saw nothing. Yet you know you exist and others like you, that this is a game with mirrors.

A thinking woman sleeps with monsters.

Re-vision — the act of looking back, of seeing with fresh eyes, of entering an old text from a new critical direction – is for women more than a chapter in cultural history: it is an act of survival.

Whatever is unnamed, undepicted in images, whatever is omitted from biography, censored in collections of letters, whatever is misnamed as something else.

The password is a flicker of an eyelash.

Sexist grammar burns into the brains of little girls and young women a message that the male is the norm, the standard, the central figure beside which we are all deviants.

Whether of love and sexuality or creativity or the sense of connectedness with other beings, human and otherwise?

In a world where language and naming are power, silence is oppression, is violence.

Motherhood is the great mesh in which all human relations are entangled, in which lurk our most elemental assumptions about love and power.

Motherhood, in the sense of an intense, reciprocal relationship with a particular child, or children, is one part of female process; it is not an identity for all time.

In this disintegrative, technologically-manic time, when public language is so debased, poetry continues to matter because it’s the art that reintegrates words, speech, voice, breath, music, bodily tempo, and the powers of the imagination.

The past exudes legend: one can’t make pure clay of time’s mud.

Time is clay; make something.

Python carries his loneliness in him as if he had eaten clay.

Time is clay. Go make something.

I am a hidden meaning made to defy. The grasp of words, and walk away With free will and destiny. As living, revolutionary clay.

England is not a country of granite and marble, but of chalk, marl, and clay.

I like having my hands in the clay. I like the movie-making process.

For this occurs just as clay is first molded into one, then shaped into another form, for the Devil is a potter and his witches are but clay.