Only to have a grief equal to all these tears!
ADRIENNE RICHThe suppressed lesbian I had been carrying in me since adolescence began to stretch her limbs.
More Adrienne Rich Quotes
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The ocean, whose tides respond, like women’s menses, to the pull of the moon, the ocean which corresponds to the amniotic fluid in which human life begins.
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No woman is really an insider in the institutions fathered by masculine consciousness.
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The beauty of darkness is how it lets you see.
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There is the falsely mystical view of art that assumes a kind of supernatural inspiration, a possession by universal forces unrelated to questions of power and privilege or the artist’s relation to bread and blood. In this view.
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Practicing till strengthand accuracy became one with the daringto leap into transcendence, take the chance of breaking down in the wild arpeggioor faulting the full sentence of the fugue.
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Despair, when not the response to absolute physical and moral defeat is, like war, the failure of imagination.
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Writers matter in a society to the extent that we can help that society hear its unvoiced longing, encounter its erased and disregarded selves, break with complacency, numbness, despair.
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Even the most angry, even the darkest, even the most grief-stricken, and even the most embittered art has that element somewhere behind it. Because how could you be so despairing, so embittered, if you had not had something you loved that you lost?
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We move but our words stand become responsible for more than we intended and this is verbal privilege
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Our personalities seem dangerously to blur and overlap with our mother’s; and, in a desperate attempt to know where mother ends and daughter begins, we perform radical surgery.
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But nothing less than the most radical imagination will carry us beyond this place, beyond the mere struggle for survival, to that lucid recognition of our possibilities which will keep us impatient, and unresigned to mere survival.
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You have to be free to play around with the notion that day might be night, love might be hate; nothing can be too sacred for the imagination to turn into its opposite or to call experimentally by another name. For writing is re-naming.
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And perhaps there is none now; but we will have to make it, we who want an end to suffering, who want to change the laws of history, if we are not to give ourselves away.
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The impulse to create begins – often terribly and fearfully – in a tunnel of silence.
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One does not give birth in a void, but rather in a cultural and political context. Laws, professional codes, religious sanctions, and ethnic traditions all affect women’s choices concerning childbirth.
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When the landscape buckles and jerks around, when a dust column of debris rises from the collapse of a block of buildings on bodies that could have been your own, when the staves of history fall awry and the barrel of time bursts apart.
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The most notable fact that our culture imprints on women is a sense of our limits.
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I’ve known great happiness in my life along with great darkness, and a question that has repeatedly entered my poetry has been, how do we use the direct experience of happiness that may be given us.
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The connections between and among women are the most feared, the most problematic, and the most potentially transforming force on the planet.
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It takes some strength of soul–and not just individual strength, but collective understanding–to resist this void, this nonbeing, into which are thrust, and to stand up, demanding to be seen and heard.
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A language is a map of our failures.
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There is no ‘the truth,’ ‘a truth’–truth is not one thing, or even a system. It is an increasing complexity.
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… this world gives no room to be what we dreamt of being
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[The poet] is endowed to speak for those who do not have the gift of language, or to see for those who – for whatever reasons – are less conscious of what they are living through.
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Mothers and daughters have always exchanged with each other – beyond the verbally transmitted lore of female survival.
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A patriot is one who wrestles for the soul of her country as she wrestles for her own being.
ADRIENNE RICH