The password is a flicker of an eyelash.
ADRIENNE RICHA patriot is one who wrestles for the soul of her country as she wrestles for her own being.
More Adrienne Rich Quotes
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We who were loved will never unlive that crippling fever.
ADRIENNE RICH -
It will take all your heart, it will take all your breath It will be short, it will not be simple
ADRIENNE RICH -
I keep coming back to you in my head, but you couldn’t know that, and I have no carbons.
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In this disintegrative, technologically-manic time, when public language is so debased, poetry continues to matter because it’s the art that reintegrates words, speech, voice, breath, music, bodily tempo, and the powers of the imagination.
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The unconscious wants truth, as the body does. The complexity and fecundity of dreams come from the complexity and fecundity of the unconscious struggling to fulfill that desire. The complexity and fecundity of poetry come from the same struggle.
ADRIENNE RICH -
The worker can unionize, go out on strike; mothers are divided from each other in homes, tied to their children by compassionate bonds; our wildcat strikes have most often taken the form of physical or mental breakdown.
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Just as traffic symbols, when driving, make us almost unconsciously aware of a steep hill, an intersection, an icy bridge etc.
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Poetry has always mattered, through human history, through all kinds of cultures, all kinds of violence and human desolation, as well as periods of great human affirmation.
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The assumption that women are a subgroup, that men’s culture is the ‘real’ world, that patriarchy is equivalent to culture and culture to patriarchy, that the ‘great’ or ‘liberalizing’ periods of history have been the same for women as for men.
ADRIENNE RICH -
We are, none of us, ‘either’ mothers or daughters; to our amazement, confusion, and greater complexity, we are both.
ADRIENNE RICH -
Reality, the oppressor’s tongue.
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What I discerned in the U.S. was a convergence of poetic voices coming from many different rents in the social fabric, many cultures, many tributaries, which, together, make up the American poetry of the late twentieth century.
ADRIENNE RICH -
Much male fear of feminism is the fear that, in becoming whole human beings, women will cease to mother men, to provide the breast, the lullaby, the continuous attention associated by the infant with the mother.
ADRIENNE RICH -
Increasingly I think of poetry as a theatre of voices, not as coming from a single “I” or from any one position. I want to imagine voices different from my own.
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Every real poem is the breaking of an existing silence, and the first question we might ask any poem is, What kind of voice is breaking silence, and what kind of silence is being broken?
ADRIENNE RICH