Marriage is lonelier than solitude.
ADRIENNE RICHIn the interstices of language lie powerful secrets of the culture.
More Adrienne Rich Quotes
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We who were loved will never unlive that crippling fever.
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Can you remember? when we thought the poets taught how to live?
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Every poem breaks a silence that had to be overcome.
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Reality, the oppressor’s tongue.
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Until we understand the assumptions in which we are drenched we cannot know ourselves. And this drive to self-knowledge, for women, is more than a search for identity.
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Responsibility to yourself means refusing to let others do your thinking, talking, and naming for you; it means learning to respect and use your own brains and instincts; hence, grappling with hard work.
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The password is a flicker of an eyelash.
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It takes some strength of soul–and not just individual strength, but collective understanding–to resist this void, this nonbeing, into which are thrust, and to stand up, demanding to be seen and heard.
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Every journey into the past is complicated by delusions, false memories, false namings of real events.
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We are, none of us, ‘either’ mothers or daughters; to our amazement, confusion, and greater complexity, we are both.
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Poetry has always mattered, through human history, through all kinds of cultures, all kinds of violence and human desolation, as well as periods of great human affirmation.
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“What do we want from each other/ after we have told our stories?” Where do we go to explore our stake with others in such a society?
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Weather abroad and weather in the heart alike come on Regardless of prediction.
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The more I live, the more I think, two people together is a miracle.
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The unconscious wants truth. It ceases to speak to those who want something else more than truth.
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Change is not a threat to your life, but an invitation to live.
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I do not think [poetry] is more, or less, necessary than food, shelter, health, education, decent working conditions. It is as necessary.
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The vixen I met at twilight on Route 5 south of Willoughby: long dead. She was an omen to me, surviving, herding her cubs in the silvery bend of the road in nineteen sixty-five.
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I am a feminist because I feel endangered, psychically and physically, by this society and because I believe that the women’s movement is saying that we have come to an edge of history.
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The liar often suffers from amnesia. Amnesia is the silence of the unconscious.
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For now, poetry has the capacity – in its own ways and by its own means – to remind us of something we are forbidden to see.
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The unconscious wants truth, as the body does. The complexity and fecundity of dreams come from the complexity and fecundity of the unconscious struggling to fulfill that desire. The complexity and fecundity of poetry come from the same struggle.
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This is one of the ways in which women’s work and thinking has been made to seem sporadic, errant, orphaned of any tradition of its own.
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It iscrucial that we understand lesbian/feminism in the deepest, most radical sense: as that love for ourselves and other women, that commitment to the freedom of all of us, which transcends the category of “sexual preference” and the issue of civil rights.
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I guess what concerns me always is the need for a field, a rich compost, for any art to flourish. But however isolate or unheard you may feel, if you have the need to write poetry, are compelled to write it, you go on, whether there is resonance or not.
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The assumption that women are a subgroup, that men’s culture is the ‘real’ world, that patriarchy is equivalent to culture and culture to patriarchy, that the ‘great’ or ‘liberalizing’ periods of history have been the same for women as for men.
ADRIENNE RICH