black
grey
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Reality, the oppressor’s tongue.

Adrienne Rich

The ocean, whose tides respond, like women’s menses, to the pull of the moon, the ocean which corresponds to the amniotic fluid in which human life begins.
ADRIENNE RICH

Correspond Men's Monsters Moon Ocean Pull Respond Women
What it is like to live in another skin, what it is like to live in another body, and in that sense to surpass ourselves, to go out beyond ourselves.
ADRIENNE RICH

Another Body Live Ourselves Sense Skin Surpass
You have to give your art everything you can – I don’t mean only writing, but studying other poets and poetics, thinking, reading what poets have written other than their poetry.
ADRIENNE RICH

Art Everything Poet Poetic Reading Thinking Writing
I have an inward treasure born with me, which can keep me alive if all the extraneous delights should be withheld or offered only at a price I cannot afford to give.
ADRIENNE RICH

Alive Born Delight Extraneous Giving Offered
We must use what we have to invent what we desire.
ADRIENNE RICH

Desire Dream Invent Lose Success Use
I long to create something that can’t be used to keep us passive: I want to write a script about plumbing, how every pipe is joined to every other.
ADRIENNE RICH

Create Every Joined Keep Knowledge Long Passive Pipe Plumbing Script Something Used Writing
We lose touch with parts of ourselves defined as unacceptable by that consciousness; with the vital toughness and visionary strength of the angry grandmothers, the fierce market women of the Ibo’s Women’s War.
ADRIENNE RICH

Consciousness Grandmother Market Ourselves Toughness Unacceptable Women
and I ask myself and you, which of our visions will claim us which will we claim how will we go on living how will we touch, what will we know what will we say to each other.
ADRIENNE RICH

Aak Claim Goes Myself On Touch Vision
The will to change begins in the body, not in the mind.
ADRIENNE RICH

Begin Body Change Mind Will
Most women have not even been able to touch this anger, except to drive it inward like a rusted nail.
ADRIENNE RICH

Able Anger Except Inward Nail Rusted Touch Women
It is important to do this because it breaks down human self-delusion and isolation. It is important to do this because in doing so we do justice to our own complexity.
ADRIENNE RICH

Break Human Important Isolation Justice
There is, clearly, both enormous hunger for the work thus being diffused, and an explosion of creative energy, bursting through the coercive choicelessness of the system on whose boundaries we are working.
ADRIENNE RICH

Artist Boundaries Bursting Channel Choiceless Creative Enormous Hunger Merely System Working
It iscrucial that we understand lesbian/feminism in the deepest, most radical sense: as that love for ourselves and other women, that commitment to the freedom of all of us, which transcends the category of “sexual preference” and the issue of civil rights.
ADRIENNE RICH

Commitment Deepest Integrity Iscrucial Issue Lesbian Ourselves Radical Sense Understand
To work and suffer is to be at home. All else is scenery.
ADRIENNE RICH

Home Scenery Suffer Suffering
War is an absolute failure of imagination, scientific and political.
ADRIENNE RICH

Absolute Country Failure Imagination People Political Scientific War
I began to feel heard in that movement. But it was because my voice was resonating with other voices.
ADRIENNE RICH

Began Feel Heard Movement Resonating Voice
The [Vietnam War Memorial] Wall became a magnet for citizens of every generation, class, race, and relationship to the war perhaps because it is the only great public monument that allows the anesthetized holes in the heart to fill with a truly national grief.
ADRIENNE RICH

Citizen Class Generation Grief Magnet National Race Relationship Wall War
That a war can be represented as helping a people to ‘feel good’ about themselves, or their country, is a measure of that failure.
ADRIENNE RICH

Country Failure Feel Good Helping Measure Represented Themselves War
Art and literature have given so many people the relief of feeling connected – pulled us out of isolation. It has let us know that somebody else breathed and dreamed and had sex and loved and raged and knew loneliness the way we do.
ADRIENNE RICH

Art Connected Isolation Literature Loneliness People Sex
I feel more helpless with you than without you.
ADRIENNE RICH

Feel Helpless More Without You
We move but our words stand become responsible for more than we intended and this is verbal privilege
ADRIENNE RICH

Intended Moving Our Privilege Responsible Verbal Words
Any woman’s death diminishes me.
ADRIENNE RICH

Death Diminish Diminishes Woman
What I search for continuously in my art is adequate language, language I hope can stand beyond any particular occasion.
ADRIENNE RICH

Adequate Art Dysfunction Hope Language Occasion Particular Search Stand
“What do we want from each other/ after we have told our stories?” Where do we go to explore our stake with others in such a society?
ADRIENNE RICH

Each Explore Other Society Stake Stories Want
An honorable human relationship- that is, one in which two people have the right to use the word “love”- is a process, delicate, violent, often terrifying to both persons involved, a process of refining the truths they can tell each other.
ADRIENNE RICH

Delicate Honorable Human Love People Process Relationship Self Truth Two Violent
I’ve known great happiness in my life along with great darkness, and a question that has repeatedly entered my poetry has been, how do we use the direct experience of happiness that may be given us.
ADRIENNE RICH

Along Creativity Darkness Entered Experience Given Happiness Life Poetry Repeatedly Use
I believe that words can help us move or keep us paralyzed, and that our choices of language and verbal tone have something – a great deal – to do with how we live our lives.
ADRIENNE RICH

Believe Choice Deal Inspirational Keep Language Live Moving Paralyzed Something

Reality, the oppressor’s tongue.

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Reality, the oppressor’s tongue.

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