I think many poets, including myself, write both for the voice and for the page. I certainly write for the person alone in the library, who pulls down a book and it opens to a poem. I am also very conscious of what it means to read these poems aloud.
ADRIENNE RICHOnly to have a grief equal to all these tears!
More Adrienne Rich Quotes
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Most women have not even been able to touch this anger, except to drive it inward like a rusted nail.
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Motherhood, in the sense of an intense, reciprocal relationship with a particular child, or children, is one part of female process; it is not an identity for all time.
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The assumption that women are a subgroup, that men’s culture is the ‘real’ world, that patriarchy is equivalent to culture and culture to patriarchy, that the ‘great’ or ‘liberalizing’ periods of history have been the same for women as for men.
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The serious revolutionary, like the serious artist, can’t afford to lead a sentimental or self-deceiving life.
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I came to explore the wreck.
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There is no ‘the truth,’ ‘a truth’–truth is not one thing, or even a system. It is an increasing complexity.
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We must use what we have to invent what we desire.
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The materials are here for the deepest mutuality and the most painful estrangement.
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I believe that words can help us move or keep us paralysed, and that our choices of language and verbal tone have something – a great deal – to do with how we live our lives and whom we end up speaking with and hearing.
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No woman is really an insider in the institutions fathered by masculine consciousness.
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I cannot speak for you. Two thoughts: there is no liberation that only knows how to say ‘I’; there is no collective movement that speaks for each of us all the way through.
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I do not think [poetry] is more, or less, necessary than food, shelter, health, education, decent working conditions. It is as necessary.
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We who were loved will never unlive that crippling fever.
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The impulse to create begins – often terribly and fearfully – in a tunnel of silence.
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There is the falsely mystical view of art that assumes a kind of supernatural inspiration, a possession by universal forces unrelated to questions of power and privilege or the artist’s relation to bread and blood. In this view.
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Young people know they are being betrayed by he mass electronic media. It caricatures them, caricatures others.
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A revolutionary poem will not tell you who or when to kill, what and when to burn, or even how to theorize. It reminds you… where and when and how you are living and might live, it is a wick of desire.
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and I ask myself and you, which of our visions will claim us which will we claim how will we go on living how will we touch, what will we know what will we say to each other.
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In order to live a fully human life we require not only control of our bodies (though control is a prerequisite); we must touch the unity and resonance of our physicality, our bond with the natural order, the corporeal grounds of our intelligence.
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I don’t think we can separate art from overall human dignity and hope.
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Our personalities seem dangerously to blur and overlap with our mother’s; and, in a desperate attempt to know where mother ends and daughter begins, we perform radical surgery.
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Heterosexuality has been forcibly and subliminally imposed on women. Yet everywhere women have resisted it, often at the cost of physical torture, imprisonment, psychosurgery, social ostracism, and extreme poverty.
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No one has imagined us. We want to live like trees, sycamores blazing through the sulfuric air, dappled with scars, still exuberantly budding, our animal passion rooted in the city.
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Sexist grammar burns into the brains of little girls and young women a message that the male is the norm, the standard, the central figure beside which we are all deviants.
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I am uncomfortable with talking of poetry as a priestly profession, because I have little use for organized religions and priestly hierarchies. They have demoralized, persecuted, so many, including women, gays, non-believers.
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But before we were mothers, we have been, first of all, women, with actual bodies and actual minds.
ADRIENNE RICH