I don’t think we can separate art from overall human dignity and hope.
ADRIENNE RICHThe connections between and among women are the most feared, the most problematic, and the most potentially transforming force on the planet.
More Adrienne Rich Quotes
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In such a world women will truly create new life, bringing forth not only children if and as we choose but the visions, and the thinking, necessary to sustain, console and alter human existence-a new relationship to the universe.
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In a world where language and naming are power, silence is oppression, is violence.
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I don’t want to succumb to the idea that for the generation, or generations, raised on television, the text is irrelevant or so intimidating that they won’t deal with it.
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That’s why I want to speak to you now. To say: no person, trying to take responsibility for her or his identity, should have to be so alone.
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We have no familiar, ready-made name for a woman who defines herself, by choice, neither in relation to children nor to men, who is self-identified, who has chosen herself.
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But can you imagine how some of them were envying you your freedom to work, to think, to travel, to enter a room as yourself, not as some child’s mother or some man’s wife?
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I feel more helpless with you than without you.
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False history gets made all day, any day, the truth of the new is never on the news.
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Since men are loyal at least to their own world-view, their laws of brotherhood and self-interest.
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Art, whose honesty must work through artifice, cannot avoid cheating truth.
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We lose touch with parts of ourselves defined as unacceptable by that consciousness; with the vital toughness and visionary strength of the angry grandmothers, the fierce market women of the Ibo’s Women’s War.
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When my dreams showed signs of becoming politically correct no unruly images escaping beyond borders … then I began to wonder
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If the imagination is to transcend and transform experience it has to question, to challenge, to conceive of alternatives, perhaps to the very life you are living at the moment.
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Every poem breaks a silence that had to be overcome.
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he ocean on whose surface vessels (personified as female) can ride but in whose depth sailors meet their death and monsters conceal themselves.
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Until we understand the assumptions in which we are drenched we cannot know ourselves. And this drive to self-knowledge, for women, is more than a search for identity.
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I am a feminist because I feel endangered, psychically and physically, by this society and because I believe that the women’s movement is saying that we have come to an edge of history.
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A decade of cutting away dead flesh, cauterizing old scars ripped open over and over and still it is not enough.
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Any woman’s death diminishes me.
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Some turn to prayer, some to poetry: words in the memory, a stained book carried close to the body, the notebook scribbled by hand–a center of gravity.
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Re-vision – the act of looking back, of seeing with fresh eyes, of entering an old text from a new critical direction – is for woman more than a chapter in cultural history: it is an act of survival.
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The assumption that women are a subgroup, that men’s culture is the ‘real’ world, that patriarchy is equivalent to culture and culture to patriarchy, that the ‘great’ or ‘liberalizing’ periods of history have been the same for women as for men.
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When a woman tells the truth she is creating the possibility for more truth around her.
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In a history of spiritual rupture, a social compact built on fantasy and collective secrets, poetry becomes more necessary than ever: it keeps the underground aquifers flowing; it is the liquid voice that can wear through stone.
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There’s been real hostility toward political poetry in the U.S., hostility or, at best, incomprehension. I’m speaking of those who have institutional power over what gets published, over grants andprizes and reviewing.
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It is the thirtieth of May, the thirtieth of November, a beginning or an end, we are moving into the solstice and there is so much here I still do not understand.
ADRIENNE RICH