Spaces within a line, double colons, slashes, are indications of pause, of breath, of urgency, they are not metrically exact as in a musical notation but they serve (I hope) to make the reader think about the sound of the poem.
ADRIENNE RICHIt’s been associated with the power of the word, with the sacred, with magic and transformation, with the oral narratives that help a people cohere.
More Adrienne Rich Quotes
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To do something very common, in my own way.
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Poetry has always mattered, through human history, through all kinds of cultures, all kinds of violence and human desolation, as well as periods of great human affirmation.
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A patriot is one who wrestles for the soul of her country as she wrestles for her own being.
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The marriage-resisting women silk workers of pre-Revolutionary China, the millions of widows, midwives, and the women healers tortured and burned as witches for three centuries in Europe.
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We move but our words stand become responsible for more than we intended and this is verbal privilege
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I think of poetry as something out there in the world and within each of us. I don’t mean that everyone can write poetry – it’s an art, a craft.
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A life I didn’t choose chose me: even my tools are the wrong ones for what I have to do.
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The vixen I met at twilight on Route 5 south of Willoughby: long dead. She was an omen to me, surviving, herding her cubs in the silvery bend of the road in nineteen sixty-five.
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Writers matter in a society to the extent that we can help that society hear its unvoiced longing, encounter its erased and disregarded selves, break with complacency, numbness, despair.
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Whether of love and sexuality or creativity or the sense of connectedness with other beings, human and otherwise?
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Since men are loyal at least to their own world-view, their laws of brotherhood and self-interest.
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The connections between and among women are the most feared, the most problematic, and the most potentially transforming force on the planet.
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Our personalities seem dangerously to blur and overlap with our mother’s; and, in a desperate attempt to know where mother ends and daughter begins, we perform radical surgery.
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“Global culture” is of course not a culture: it’s the global marketing and imposing of commodities and images for the interests of the few at the expense of the many.
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But before we were mothers, we have been, first of all, women, with actual bodies and actual minds.
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Experience is always larger than language.
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The moment of change is the only poem.
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Strangers are an endangered species.
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“What do we want from each other/ after we have told our stories?” Where do we go to explore our stake with others in such a society?
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Every journey into the past is complicated by delusions, false memories, false namings of real events.
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We must use what we have to invent what we desire.
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War is an absolute failure of imagination, scientific and political.
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A decade of cutting away dead flesh, cauterizing old scars ripped open over and over and still it is not enough.
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Can you remember? when we thought the poets taught how to live?
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My children cause me the most exquisite suffering of which I have any experience. It is the suffering of ambivalence: the murderous alternation between bitter resentment and raw-edged nerves, and blissful gratification and tenderness.
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When men – insofar as they are embodiments of the patriarchal idea – have become dangerous to children and other living things, themselves included
ADRIENNE RICH