“Each feminist work has tended to be received as if it emerged from nowhere; as if each one of us had lived, thought, and worked without any historical past or contextual present.”

Re-vision — the act of looking back, of seeing with fresh eyes, of entering an old text from a new critical direction – is for women more than a chapter in cultural history: it is an act of survival.

Whatever is unnamed, undepicted in images, whatever is omitted from biography, censored in collections of letters, whatever is misnamed as something else.

The password is a flicker of an eyelash.

Sexist grammar burns into the brains of little girls and young women a message that the male is the norm, the standard, the central figure beside which we are all deviants.

Whether of love and sexuality or creativity or the sense of connectedness with other beings, human and otherwise?

In a world where language and naming are power, silence is oppression, is violence.

Motherhood is the great mesh in which all human relations are entangled, in which lurk our most elemental assumptions about love and power.

Motherhood, in the sense of an intense, reciprocal relationship with a particular child, or children, is one part of female process; it is not an identity for all time.

In this disintegrative, technologically-manic time, when public language is so debased, poetry continues to matter because it’s the art that reintegrates words, speech, voice, breath, music, bodily tempo, and the powers of the imagination.

A withdrawal from thinking in terms of social and collective values, needs and solutions. The consciousness-raising groups of the women’s movement, for instance, becoming “support-groups” or therapy groups.

It requires enormous commitment like any art. But there’s a core of desire in each of us and poetry goes to and comes from that core. It’s the social, economic, institutional gap that makes it difficult.

[The poet] is endowed to speak for those who do not have the gift of language, or to see for those who – for whatever reasons – are less conscious of what they are living through.

We must use what we have to invent what we desire.

Across the curve of the earth, there are women getting up before dawn, in the blackness before the point of light, in the twilight before sunrise; there are women rising earlier than men and children to break the ice, to start the stove, to put up the pap.

The beauty of darkness is how it lets you see.

The necessity of poetry has to be stated over and over, but only to those who have reason to fear its power.