The words are purposes./The words are maps./I came to see the damage that was done/and the treasures that prevail.
ADRIENNE RICHThe women’s movement appeared at a very crucial moment in my life. There was a whole political movement asking such questions and others I had never asked.
More Adrienne Rich Quotes
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There being no shared daily life what with migrations, exiles, diasporas, rendings, the search for work. Or there is a shared daily life riddled with holes of silence
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Most women have not even been able to touch this anger, except to drive it inward like a rusted nail.
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I think of poetry as something out there in the world and within each of us. I don’t mean that everyone can write poetry – it’s an art, a craft.
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Motherhood, in the sense of an intense, reciprocal relationship with a particular child, or children, is one part of female process; it is not an identity for all time.
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I think many poets, including myself, write both for the voice and for the page. I certainly write for the person alone in the library, who pulls down a book and it opens to a poem. I am also very conscious of what it means to read these poems aloud.
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The woman’s body is the terrain on which patriarchy is erected.
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If the imagination is to transcend and transform experience it has to question, to challenge, to conceive of alternatives, perhaps to the very life you are living at the moment.
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Behind all art is an element of desire…Love of life, of existence, love of another human being, love of human beings is in some way behind all art.
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A language is a map of our failures.
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Can you remember? when we thought the poets taught how to live?
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I guess what concerns me always is the need for a field, a rich compost, for any art to flourish. But however isolate or unheard you may feel, if you have the need to write poetry, are compelled to write it, you go on, whether there is resonance or not.
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The most important thing a woman can do for another is to illuminate her actual possibilities.
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Every poem breaks a silence that had to be overcome.
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Until we know the assumptions in which we are drenched, we cannot know ourselves.
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To do something very common, in my own way.
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I think my work comes out of both an intense desire for connection and what it means to feel isolated. There’s always going to be a kind of tidal movement back and forth between the two.
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In a history of spiritual rupture, a social compact built on fantasy and collective secrets, poetry becomes more necessary than ever: it keeps the underground aquifers flowing; it is the liquid voice that can wear through stone.
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Re-vision – the act of looking back, of seeing with fresh eyes, of entering an old text from a new critical direction – is for woman more than a chapter in cultural history: it is an act of survival.
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The longer I live the more I mistrust theatricality, the false glamour cast by performance, the more I know its poverty beside the truths we are salvaging from the splitting-open of our lives. -from “Transcendental Etude
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The moment when a feeling enters the body/ is political. This touch is political
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Whatever is unnamed, undepicted in images, whatever is omitted from biography, censored in collections of letters, whatever is misnamed as something else.
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To become a politics of asking women’s questions, demanding a world in which the integrity of all women–not a chosen few–shall be honored and validated in every respect of culture.
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If we had time and no money, living by our wits, what story would you tell?
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The liar leads an existence of unutterable loneliness.
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What would it mean to live in a city whose people were changing each other’s despair into hope?– You yourself must change it.
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We can count on so few people to go that hard way with us.
ADRIENNE RICH