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A president cannot meaningfully honor certain token artists while the people at large are so dishonored.’”

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Marilyn Monroe Paulo Coelho Abraham Lincoln C. S. Lewis Khalil Gibran Charlie Chaplin Gautama Buddha Isaac Newton

I am uncomfortable with talking of poetry as a priestly profession, because I have little use for organized religions and priestly hierarchies. They have demoralized, persecuted, so many, including women, gays, non-believers.
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There is already a gap between those with education and those without. Those with educational privilege can be seen as arrogant, remote, alien – and very often they believe themselves superior.
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You have to give your art everything you can – I don’t mean only writing, but studying other poets and poetics, thinking, reading what poets have written other than their poetry.
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Art Everything Poet Poetic Reading Thinking Writing
Poetry can open locked chambers of possibiity, restore numbed zones to feeling, recharge desire.
ADRIENNE RICH

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When someone with the authority of a teacher describes the world and you’re not in it, there’s a moment of psychic disequilibrium, as if you looked into a mirror and saw nothing.
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Can individual psychic wounds really heal in an abusive and fragmented society? Audre Lorde has a poem which begins,
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That’s why I want to speak to you now. To say: no person, trying to take responsibility for her or his identity, should have to be so alone.
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I choose to love this time for once with all my intelligence -from “Splittings
ADRIENNE RICH

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Only to have a grief equal to all these tears!
ADRIENNE RICH

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There is no ‘the truth,’ ‘a truth’–truth is not one thing, or even a system. It is an increasing complexity.
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War is an absolute failure of imagination, scientific and political.
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The moment when a feeling enters the body/ is political. This touch is political
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It requires enormous commitment like any art. But there’s a core of desire in each of us and poetry goes to and comes from that core. It’s the social, economic, institutional gap that makes it difficult.
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What I discerned in the U.S. was a convergence of poetic voices coming from many different rents in the social fabric, many cultures, many tributaries, which, together, make up the American poetry of the late twentieth century.
ADRIENNE RICH

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We may feel bitterly how little our poems can do in the face of seemingly out-of-control technological power and seemingly limitless corporate greed, yet it has always been true that poetry can break isolation.
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the channel of art can only become clogged and misdirected by the artist’s concern with merely temporary and local disturbances. The song is higher than the struggle.
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Until we understand the assumptions in which we are drenched we cannot know ourselves. And this drive to self-knowledge, for women, is more than a search for identity.
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We’ve learned a lot from the great psychologists. Wilhelm Reich wrote about the relationship between fascism and sexual repression.
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The serious revolutionary, like the serious artist, can’t afford to lead a sentimental or self-deceiving life.
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Any woman’s death diminishes me.
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Lies are usually attempts to make everything simpler – for the liar – than it really is, or ought to be.
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What we see, we see and seeing is changing
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Across the curve of the earth, there are women getting up before dawn, in the blackness before the point of light, in the twilight before sunrise; there are women rising earlier than men and children to break the ice, to start the stove, to put up the pap.
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When a woman tells the truth she is creating the possibility for more truth around her.
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The moment of change is the only poem.
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Re-vision — the act of looking back, of seeing with fresh eyes, of entering an old text from a new critical direction – is for women more than a chapter in cultural history: it is an act of survival.
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The most notable fact that our culture imprints on women is a sense of our limits.
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Culture Fact Important Imprint Limit Notable Sense

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