The channel of art can only become clogged and misdirected by the artist’s concern with merely temporary and local disturbances. The song is higher than the struggle.
ADRIENNE RICHThere is no ‘the truth’,’a truth’ – truth is not one thing, or even a system. It is an increasing complexity. the pattern of the carpet is a surface.
More Adrienne Rich Quotes
-
-
The decision to feed the world is the real decision. No revolution has chosen it. For that choice requires that women shall be free.
ADRIENNE RICH -
An honorable human relationship … is a process, delicate, violent, often terrifying to both persons involved, a process of refining the truths they can tell each other.
ADRIENNE RICH -
What I’m finding is that in our increasingly dysfunctional U.S. society, marvelous poetry is being written – out of and amid the dysfunction.
ADRIENNE RICH -
I choose to love this time for once with all my intelligence -from “Splittings
ADRIENNE RICH -
How we dwelt in two worlds the daughters and the mothers in the kingdom of the sons.
ADRIENNE RICH -
Language is power… Language can be used as a means of changing reality.
ADRIENNE RICH -
Not biology, but ignorance of ourselves, has been the key to our powerlessness
ADRIENNE RICH -
For now, poetry has the capacity – in its own ways and by its own means – to remind us of something we are forbidden to see.
ADRIENNE RICH -
A decade of cutting away dead flesh, cauterizing old scars ripped open over and over and still it is not enough.
ADRIENNE RICH -
What I discerned in the U.S. was a convergence of poetic voices coming from many different rents in the social fabric, many cultures, many tributaries, which, together, make up the American poetry of the late twentieth century.
ADRIENNE RICH -
It is the thirtieth of May, the thirtieth of November, a beginning or an end, we are moving into the solstice and there is so much here I still do not understand.
ADRIENNE RICH -
In order to live a fully human life we require not only control of our bodies (though control is a prerequisite); we must touch the unity and resonance of our physicality, our bond with the natural order, the corporeal grounds of our intelligence.
ADRIENNE RICH -
There must be those among whom we can sit down and weep, and still be counted as warriors. (I make up this strange, angry packet for you, threaded with love.) I think you thought there was no such place for you, and perhaps there was none then.
ADRIENNE RICH -
It requires enormous commitment like any art. But there’s a core of desire in each of us and poetry goes to and comes from that core. It’s the social, economic, institutional gap that makes it difficult.
ADRIENNE RICH -
One line typed twenty years ago can be blazed on a wall in spraypaint to glorify art as detachment or torture of those we did not love but also did not want to kill.
ADRIENNE RICH -
Poetry can add its grain to an accumulation of consciousness against the idea that there is no alternative – that we’re just in the great flow of capitalism and it can never be any different – that this is human destiny, this is human nature.
ADRIENNE RICH -
Poems are like dreams: in them you put what you don’t know you know.
ADRIENNE RICH -
Strangers are an endangered species.
ADRIENNE RICH -
Poetry has always mattered, through human history, through all kinds of cultures, all kinds of violence and human desolation, as well as periods of great human affirmation.
ADRIENNE RICH -
The ocean, whose tides respond, like women’s menses, to the pull of the moon, the ocean which corresponds to the amniotic fluid in which human life begins.
ADRIENNE RICH -
Or those who still believe that language is ‘only words’ and that an old language is good enough for our descriptions of the world we are trying to transform.
ADRIENNE RICH -
There being no shared daily life what with migrations, exiles, diasporas, rendings, the search for work. Or there is a shared daily life riddled with holes of silence
ADRIENNE RICH -
The [Vietnam War Memorial] Wall became a magnet for citizens of every generation, class, race, and relationship to the war perhaps because it is the only great public monument that allows the anesthetized holes in the heart to fill with a truly national grief.
ADRIENNE RICH -
The password is a flicker of an eyelash.
ADRIENNE RICH -
Made difficult-to-come-by, whatever is buried in the memory by the collapse of meaning under an inadequate or lying language – this will become, not merely unspoken, but unspeakable.
ADRIENNE RICH -
There is no simple formula for the relationship of art to justice…In the end, I don’t think we can separate art from overall human dignity and hope. My concern for my country is inextricable from my concerns as an artist.
ADRIENNE RICH