“So endlessly, still expecting to be believed. We are accustomed to the contempt inherent in the political lie.”

A book of poems doesn’t just come out by chance, an editor has to select it, a publisher has to distribute it or you will never see it.

Only to have a grief equal to all these tears!

A revolutionary poem will not tell you who or when to kill, what and when to burn, or even how to theorize. It reminds you… where and when and how you are living and might live, it is a wick of desire.

Most women have not even been able to touch this anger, except to drive it inward like a rusted nail.

The word revolution itself has become not only a dead relic of Leftism, but a key to the deadendedness of male politics.

Since men are loyal at least to their own world-view, their laws of brotherhood and self-interest.

Can you remember? when we thought the poets taught how to live?

Women’s art, though created in solitude, wells up out of community.

Made difficult-to-come-by, whatever is buried in the memory by the collapse of meaning under an inadequate or lying language – this will become, not merely unspoken, but unspeakable.

It is the thirtieth of May, the thirtieth of November, a beginning or an end, we are moving into the solstice and there is so much here I still do not understand.

In order to live a fully human life we require not only control of our bodies (though control is a prerequisite); we must touch the unity and resonance of our physicality, our bond with the natural order, the corporeal grounds of our intelligence.

It is as though the risks of the poet’s existence can be put to some use beyond her own survival.

Even the most angry, even the darkest, even the most grief-stricken, and even the most embittered art has that element somewhere behind it. Because how could you be so despairing, so embittered, if you had not had something you loved that you lost?

Passion for survival is the great theme of women’s poetry.

Behind all art is an element of desire…Love of life, of existence, love of another human being, love of human beings is in some way behind all art.

For now, poetry has the capacity – in its own ways and by its own means – to remind us of something we are forbidden to see.

When you’re accustomed to wealth, you don’t show it, right? That’s why the white kids in school could wear bummy sneakers; it’s almost like, ‘Don’t show wealth – that’s crass.’

One grows accustomed to being praised, or being blamed, or being advised, but it is unusual to be understood.

All parts of the body which have a function, if used in moderation and exercised in labors in which each is accustomed, become thereby healthy, well developed and age more slowly, but if unused they become liable to disease, defective in growth and age quickly.

We are so accustomed to disguise ourselves to others that in the end we become disguised to ourselves.

And I had long ago become accustomed to being called ‘Ophelia Daphne Flavia, damn it.

The public is accustomed to it, expects little from it and therefore takes little notice of it.

Being points beyond itself. Accustomed to think in terms of space, the expression “being points beyond itself” may be taken to denote a higher point in space.

Often because the attempt to practice it is misunderstood, discouraged, brought under attack, or made a target of willful abuse.