But before we were mothers, we have been, first of all, women, with actual bodies and actual minds.
ADRIENNE RICHMarriage is lonelier than solitude.
More Adrienne Rich Quotes
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To conjure with the passive culture and adapt to its rules is to degrade and deny the fullness of our meaning and intention.
ADRIENNE RICH -
There is, clearly, both enormous hunger for the work thus being diffused, and an explosion of creative energy, bursting through the coercive choicelessness of the system on whose boundaries we are working.
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The most notable fact that our culture imprints on women is a sense of our limits.
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The vixen I met at twilight on Route 5 south of Willoughby: long dead. She was an omen to me, surviving, herding her cubs in the silvery bend of the road in nineteen sixty-five.
ADRIENNE RICH -
I soon began to sense a fundamental perceptual difficulty among male scholars (and some female ones) for which ‘sexism’ is too facile a term. It is really an intellectual defect, which might be termed ‘patrivincialism’ or patrochialism.
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The materials are here for the deepest mutuality and the most painful estrangement.
ADRIENNE RICH -
the channel of art can only become clogged and misdirected by the artist’s concern with merely temporary and local disturbances. The song is higher than the struggle.
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A knowledge that is subliminal, subversive, preverbal: the knowledge flowing between two alike bodies, one of which has spent nine months inside the other.
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“Global culture” is of course not a culture: it’s the global marketing and imposing of commodities and images for the interests of the few at the expense of the many.
ADRIENNE RICH -
What I search for continuously in my art is adequate language, language I hope can stand beyond any particular occasion.
ADRIENNE RICH -
Motherhood is the great mesh in which all human relations are entangled, in which lurk our most elemental assumptions about love and power.
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We lose touch with parts of ourselves defined as unacceptable by that consciousness; with the vital toughness and visionary strength of the angry grandmothers, the fierce market women of the Ibo’s Women’s War.
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I came to explore the wreck.
ADRIENNE RICH -
Women’s Studies can amount simply to compensatory history; too often they fail to challenge the intellectual and political structures that must be challenged if women as a group are ever to come into collective, nonexclusionary freedom.
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Any woman’s death diminishes me.
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When someone with the authority of a teacher, say, describes the world and you are not in it, there is a moment of psychic disequilibrium, as if you looked into a mirror and saw nothing. Yet you know you exist and others like you, that this is a game with mirrors.
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Passion for survival is the great theme of women’s poetry.
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To “see the light” too often has meant rejecting the treasures found in darkness.
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The marginal, the dependent variables. It lays the foundation for androcentric thinking, and leaves men safe in their solipsistic tunnel-vision.
ADRIENNE RICH -
To allow what you’re reading to pierce routines, safe and impermeable, in which ordinary carnal life is tracked, charted, channeled. Then, what of the right answers.
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Show us to ourselves when we are outlawed or made invisible, remind us of beauty where no beauty seems possible, remind us of kinship where all is represented as separation.
ADRIENNE RICH -
What kind of beast would turn its life into words?
ADRIENNE RICH -
It requires enormous commitment like any art. But there’s a core of desire in each of us and poetry goes to and comes from that core. It’s the social, economic, institutional gap that makes it difficult.
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Strangers are an endangered species.
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No one sleeps in this room without the dream of a common language.
ADRIENNE RICH -
Despair, when not the response to absolute physical and moral defeat is, like war, the failure of imagination.
ADRIENNE RICH