The women’s movement appeared at a very crucial moment in my life. There was a whole political movement asking such questions and others I had never asked.
ADRIENNE RICHBehind all art is an element of desire…Love of life, of existence, love of another human being, love of human beings is in some way behind all art.
More Adrienne Rich Quotes
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“What do we want from each other/ after we have told our stories?” Where do we go to explore our stake with others in such a society?
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Motherhood, in the sense of an intense, reciprocal relationship with a particular child, or children, is one part of female process; it is not an identity for all time.
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The mind’s passion is all for singling out. Obscurity has another tale to tell.
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In America we have only the present tense. I am in danger. You are in danger.
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How we dwelt in two worlds the daughters and the mothers in the kingdom of the sons.
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Art, whose honesty must work through artifice, cannot avoid cheating truth.
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Much male fear of feminism is the fear that, in becoming whole human beings, women will cease to mother men, to provide the breast, the lullaby, the continuous attention associated by the infant with the mother.
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We move but our words stand become responsible for more than we intended and this is verbal privilege
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I’ve had to guess at her, sewing her skin together as I sew mine, though with a different stitch
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The decision to feed the world is the real decision. No revolution has chosen it. For that choice requires that women shall be free.
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To become a token woman – whether you win the Nobel Prize or merely get tenure at the cost of denying your sisters – is to become something less than a man.
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When we look closely, or when we become weavers, we learn of the tiny multiple threads unseen in the overall pattern, the knots on the underside of the carpet
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We can count on so few people to go that hard way with us.
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the channel of art can only become clogged and misdirected by the artist’s concern with merely temporary and local disturbances. The song is higher than the struggle.
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I keep coming back to you in my head, but you couldn’t know that, and I have no carbons.
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I long to create something that can’t be used to keep us passive: I want to write a script about plumbing, how every pipe is joined to every other.
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We see daily that our lives are terrible and little, without continuity, buyable and salable at any moment, mere blips on a screen, that this is the way we live now. Memory marketed as nostalgia; terror reduced to mere suspense, to melodrama.
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To do something very common, in my own way.
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If you are trying to transform a brutalized society into one where people can live in dignity and hope, you begin with the empowering of the most powerless. You build from the ground up.
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It is important to do this because we can count on so few people to go that hard way with us.
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It is the thirtieth of May, the thirtieth of November, a beginning or an end, we are moving into the solstice and there is so much here I still do not understand.
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I don’t want to succumb to the idea that for the generation, or generations, raised on television, the text is irrelevant or so intimidating that they won’t deal with it.
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Poetry can open locked chambers of possibiity, restore numbed zones to feeling, recharge desire.
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Probably there is nothing in human nature more resonant with charges than the flow of energy between two biologically alike bodies, one of which has lain in amniotic bliss inside the other, one of which has labored to give birth to the other.
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I choose to love this time for once with all my intelligence -from “Splittings
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In order to live a fully human life we require not only control of our bodies (though control is a prerequisite); we must touch the unity and resonance of our physicality, our bond with the natural order, the corporeal grounds of our intelligence.
ADRIENNE RICH