The moment when a feeling enters the body/ is political. This touch is political
ADRIENNE RICHYou have to be free to play around with the notion that day might be night, love might be hate; nothing can be too sacred for the imagination to turn into its opposite or to call experimentally by another name. For writing is re-naming.
More Adrienne Rich Quotes
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The channel of art can only become clogged and misdirected by the artist’s concern with merely temporary and local disturbances. The song is higher than the struggle.
ADRIENNE RICH -
This is one of the ways in which women’s work and thinking has been made to seem sporadic, errant, orphaned of any tradition of its own.
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It is important to do this because we can count on so few people to go that hard way with us.
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We are, none of us, ‘either’ mothers or daughters; to our amazement, confusion, and greater complexity, we are both.
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It is not really about them though it targets them as consumers.
ADRIENNE RICH -
Increasingly I think of poetry as a theatre of voices, not as coming from a single “I” or from any one position. I want to imagine voices different from my own.
ADRIENNE RICH -
In the States, there has been, compared to the Sixties and Seventies, a huge retrenchment – not just in poetry – into the personal.
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Even where love has run thin the child’s soul musters strength… the rush of purpose to make a life worth living past abandonment building the layers up again over the torn hole.
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There is no ‘the truth,’ ‘a truth’–truth is not one thing, or even a system. It is an increasing complexity.
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If you teach, you see this is not true. It may be that newer generations do not worship the text as some of their elders do.
ADRIENNE RICH -
The will to change begins in the body, not in the mind.
ADRIENNE RICH -
The connections between and among women are the most feared, the most problematic, and the most potentially transforming force on the planet.
ADRIENNE RICH -
We have seen over and over that white male historians in general have tended to dismiss any history they didn’t themselves write,on the grounds that it is unserious, unscholarly, a fad, too “political,” “merely” oral and thus unreliable.
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In America we have only the present tense. I am in danger. You are in danger.
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In 1945, just at the end of World War II, the American poet Muriel Rukeyser wrote a remarkable book called The Life of Poetry. In it she says that on any particular day in the world.
ADRIENNE RICH