When one woman tells her truth, it makes a space for other women to tell their truths.
ADRIENNE RICHRe-vision — the act of looking back, of seeing with fresh eyes, of entering an old text from a new critical direction – is for women more than a chapter in cultural history: it is an act of survival.
More Adrienne Rich Quotes
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There is no ‘the truth,’ ‘a truth’–truth is not one thing, or even a system. It is an increasing complexity.
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Motherhood is the great mesh in which all human relations are entangled, in which lurk our most elemental assumptions about love and power.
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Poetry has always mattered, through human history, through all kinds of cultures, all kinds of violence and human desolation, as well as periods of great human affirmation.
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If we had time and no money, living by our wits, what story would you tell?
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There is no ‘the truth’,’a truth’ – truth is not one thing, or even a system. It is an increasing complexity. the pattern of the carpet is a surface.
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If the imagination is to transcend and transform experience it has to question, to challenge, to conceive of alternatives, perhaps to the very life you are living at the moment.
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Or those who still believe that language is ‘only words’ and that an old language is good enough for our descriptions of the world we are trying to transform.
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It is as though the risks of the poet’s existence can be put to some use beyond her own survival.
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We might possess every technological resource… but if our language is inadequate, our vision remains formless.
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Lying is done with words and also with silence.
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Women’s art, though created in solitude, wells up out of community.
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Our personalities seem dangerously to blur and overlap with our mother’s; and, in a desperate attempt to know where mother ends and daughter begins, we perform radical surgery.
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Poetry can add its grain to an accumulation of consciousness against the idea that there is no alternative – that we’re just in the great flow of capitalism and it can never be any different – that this is human destiny, this is human nature.
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The moment when a feeling enters the body/ is political. This touch is political
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The serious revolutionary, like the serious artist, can’t afford to lead a sentimental or self-deceiving life.
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White hate crimes, white hate speech. I still try to claim I wasn’t brought up to hate. But hate isn’t the half of it. I grew up in the vast encircling presumption of whiteness.
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In a history of spiritual rupture, a social compact built on fantasy and collective secrets, poetry becomes more necessary than ever: it keeps the underground aquifers flowing; it is the liquid voice that can wear through stone.
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The kind of poetry that interests me is intellectual and moral and political and sexual and sensual – all of that fermenting together.
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Most women have not even been able to touch this anger, except to drive it inward like a rusted nail.
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In a world where language and naming are power, silence is oppression, is violence.
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Spaces within a line, double colons, slashes, are indications of pause, of breath, of urgency, they are not metrically exact as in a musical notation but they serve (I hope) to make the reader think about the sound of the poem.
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And that we can deflect words by trivialization, of course, but also by ritualized respect, or we can let them enter our souls and mix with the juices of our minds.
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Sleeping. Turning in turn like planets rotating in their midnight meadow: a touch is enough to let us know we’re not alone in the universe, even in sleep.
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When my dreams showed signs of becoming politically correct no unruly images escaping beyond borders … then I began to wonder
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But before we were mothers, we have been, first of all, women, with actual bodies and actual minds.
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An honorable human relationship … is a process, delicate, violent, often terrifying to both persons involved, a process of refining the truths they can tell each other.
ADRIENNE RICH