I’m also probably one of the few remaining holdouts who hasn’t consented to making the e-book versions of all my work, which is annoying to some of my publishers.
ADRIAN TOMINEAnd with this sort of increased visibility, there’s more money going around in the industry, and it changes a lot, in terms of who gets into the business as a creator, who sticks with it, and who gets pushed out.
More Adrian Tomine Quotes
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Whereas the graphic novel is now being held up as something to aspire to and as something that’s respectable for adults to read.
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For me, like, the more interesting a letter is I just get more excited and I know that this going to be great for my friends who are looking forward to reading that in my comic.
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No one would get into doing a black-and-white comic because they thought it might be a route to riches.
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The experience of reading a comic should not be the time it takes to turn each page.
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I feel like if people are going to go to the effort to get a stamp and, you know, put it on an envelope that, you know, it’s a big effort these days. So I often write back.
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I’m getting to a point in my life where my whole attitude about the relationship between myself and the audience is totally different.
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There’s been a lot of progress recently. And I shouldn’t make a definitive statement about this.
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I sense a real difference in my work from the time I was younger and single and more involved in the world of music and going out to bars and all that.
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I started publishing my comic while I was still living with my parents.
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When email and the Internet came along, I never publish an email address. I just stuck with this P.O. Box address.
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I get the impression from some people that unless they get direct access to characters’ thoughts and realizations.
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“What you do for a living?” It used to be easier just to tell people that I was a magazine illustrator than try to explain that I did comics.
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There were points at which I was trying to use my art to reflect positively on myself, to almost be flirtatious through the work.
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But not the kind of comics that they were used to, and no, it’s not pornography, etc.
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I’m very grateful for it. But at the same time, it’s not a subculture-y thing anymore; it’s something that’s in the New York Times and the New Yorker.
ADRIAN TOMINE