“Who’s afraid of the big, bad buildings? Everyone, because there are so many things about gigantism that we just don’t know.”

Really living without clutter takes an iron will … This involves eternal watchfulness and that oldest and most relentless of the housewife’s occupations, picking up.

It supplies a necessary kind of magic to people and places that lack it. More than just a dread of empty spaces has led to the urge to decorate; it is the fear of empty selves.

What counts more than style is whether architecture improves our experience of the built world; whether it makes us wonder why we never noticed places in quite this way before.

The building is a national tragedy – a cross between a concrete candy box and a marble sarcophagus in which the art of architecture lies buried.

In the end, these unavoidable conflicts provide architecture’s essential and productive tensions; the tragedy is that so little of it rises above the level imposed by compromise, and that this is the only work most of us see and know.

Until the first blow fell, no one was convinced that Penn Station really would be demolished, or that New York would permit this monumental act of vandalism against one of the largest and finest landmarks of its age of Roman elegance

The gamble of triumph or tragedy at this scale – and ultimately it is a gamble – demands an extraordinary payoff. The trade center towers could be the start of a new skyscraper age or the biggest tombstones in the world.

The style of Parisian architecture has been proved and refined by at least three centuries of academic dictates and highly developed taste.

Real serious waiting is done in waiting rooms, and what they all have in common is their purpose, or purposelessness,

Nothing was more up-to-date when it was built, or is more obsolete today, than the railroad station.

California … is the place that sets the trends and establishes the values for the rest of the country; like a slow ooze, California culture spreads eastward across the land.

Tossed into the Secaucus graveyard are about 25 centuries of classical culture and the standards of style, elegance and grandeur that it gave to the dreams and constructions of Western man.

It is the rare architect who does not hope in his heart to design a great building and for whom the quest is not a quiet, consuming passion.

Some people wait constructively; they read or knit. I have watched some truly appalling pieces of needlework take form. Others – I am one of them – abandon all thought and purpose to an uneasy vegetative states.

The skyscraper and the twentieth century are synonymous; the tall building is the landmark of our age.Shaper of cities and fortunes, it is the dream, past and present, acknowledged or unacknowledged, of almost every architect.

Every age cuts and pastes history to suit its own purposes; art always has an ax to grind.

Indecision may or may not be our biggest problem.

I don’t need a big wedding just someone worth spending the rest of my life with.

Our dreams have to be bigger. Our ambitions higher. Our commitment deeper. And our efforts greater. This is my dream for Reliance and for India.

I don’t think any one person will ever be bigger than the game.

O aching time! O moments big as years!

I have declined projects made under big banners because I didn’t have much to do in them.

The person with big talk and big dreams is more powerful than one with all the facts. I believe that the law was made for man and not man for the law; that government is the servant of the people and not their master.

I don’t think you should feel too pressured about a mixtape. Just do what you want to do and show the music you want to show. You’re not trying to win something big with it.