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A disaster where marble has been substituted for imagination.

Ada Louise Huxtable

Real estate is the closest thing to the proverbial pot of gold.
ADA LOUISE HUXTABLE

Estate Gold Pot Proverbial Real
Tossed into the Secaucus graveyard are about 25 centuries of classical culture and the standards of style, elegance and grandeur that it gave to the dreams and constructions of Western man.
ADA LOUISE HUXTABLE

Century Dream Man Secaucus Standard Style Tossed
. Any city gets what it admires, will pay for, and, ultimately, deserves. Even when we had Penn Station, we couldn’t afford to keep it clean.
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Admire City Country Demolished Ultimately
What counts more than style is whether architecture improves our experience of the built world; whether it makes us wonder why we never noticed places in quite this way before.
ADA LOUISE HUXTABLE

Building Delight Dimension Extra Important National Sense Tragedy Wonder
It supplies a necessary kind of magic to people and places that lack it. More than just a dread of empty spaces has led to the urge to decorate; it is the fear of empty selves.
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Empty Magic Necessary People Space Supplies
The skyscraper is the point where art and the city meet.
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Art City Meet Point Skyscraper
If the British are a nation of shopkeepers, Americans are a nation of shoppers.
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British Nation Shopkeeper Shopper Shopping United States
It is more important than ever that we receive that extra dimension of dignity or delight and the elevated sense of self that the art of building can provide through the nature of the places where we live and work.
ADA LOUISE HUXTABLE

Delight Dimension Extra Important Sense Wonder
The gamble of triumph or tragedy at this scale – and ultimately it is a gamble – demands an extraordinary payoff. The trade center towers could be the start of a new skyscraper age or the biggest tombstones in the world.
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Country Extraordinary Gamble Payoff Ultimately
The building is a national tragedy – a cross between a concrete candy box and a marble sarcophagus in which the art of architecture lies buried.
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Art Box Candy Lying National Sarcophagus Tragedy
Every creative act draws on the past whether it pretends to or not. It draws on what it knows. There’s no such thing, really, as a creative act in a vacuum.
ADA LOUISE HUXTABLE

Creative Creativity Draw Know Past Pretend
There are two kinds of people in the world – those who have a horror of a vacuum and those with a horror of the things that fill it. Translated into domestic interiors, this means people who live with, and without, clutter.
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Horror Kid Mean People Two Vacuum World
Every age cuts and pastes history to suit its own purposes; art always has an ax to grind.
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Art Cutting Grind History Purpose
In New York, the impact of these concentrated superskyscrapers on street scale and sunlight, on the city’s aniquated support systems, circulation
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Art Cities Concentrated Country Scale Sunlight Superskyscrap
The style of Parisian architecture has been proved and refined by at least three centuries of academic dictates and highly developed taste.
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Academic Architecture Century Developed Dictate
If you will; they are places for doing nothing and they have no life of their own. … their one constant is what might be called a decorative rigor mortis.
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Cal Constant Decoration Nothing Place Process

A disaster where marble has been substituted for imagination.

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A disaster where marble has been substituted for imagination.

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