It is more important than ever that we receive that extra dimension of dignity or delight and the elevated sense of self that the art of building can provide through the nature of the places where we live and work.
ADA LOUISE HUXTABLEIf the British are a nation of shopkeepers, Americans are a nation of shoppers.
More Ada Louise Huxtable Quotes
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the search for the ultimate skyscraper goes on. … At worst, overbuilding will make urban life unbearable. At best, we will go out in a blaze of style.
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Nothing was more up-to-date when it was built, or is more obsolete today, than the railroad station.
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If you will; they are places for doing nothing and they have no life of their own. … their one constant is what might be called a decorative rigor mortis.
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We want and deserve tin-can architecture in a tinhorn culture. And we will probably be judged not by the monuments we build but by those we have destroyed
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Every age cuts and pastes history to suit its own purposes; art always has an ax to grind.
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The gamble of triumph or tragedy at this scale – and ultimately it is a gamble – demands an extraordinary payoff. The trade center towers could be the start of a new skyscraper age or the biggest tombstones in the world.
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It supplies a necessary kind of magic to people and places that lack it. More than just a dread of empty spaces has led to the urge to decorate; it is the fear of empty selves.
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Really living without clutter takes an iron will … This involves eternal watchfulness and that oldest and most relentless of the housewife’s occupations, picking up.
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The art of decoration requires the most sophisticated and self-indulgent skills. Its aim has always been to sate the senses as gloriously as possible. … ornament is not only a source of sensuous pleasure
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What counts more than style is whether architecture improves our experience of the built world; whether it makes us wonder why we never noticed places in quite this way before.
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Postmodernism is a freewheeling, unfettered, and unapologetic pursuit of style.
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Tossed into the Secaucus graveyard are about 25 centuries of classical culture and the standards of style, elegance and grandeur that it gave to the dreams and constructions of Western man.
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The style of Parisian architecture has been proved and refined by at least three centuries of academic dictates and highly developed taste.
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There are few violations of this taste, and there is exemplary architectural consistency. Paris has defined the aesthetics of a sophisticated urban culture.
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In New York, the impact of these concentrated superskyscrapers on street scale and sunlight, on the city’s aniquated support systems, circulation
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In the end, these unavoidable conflicts provide architecture’s essential and productive tensions; the tragedy is that so little of it rises above the level imposed by compromise, and that this is the only work most of us see and know.
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Clutter in its highest and most organized form is called collecting.
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An excellent job with a dubious undertaking, which is like saying it would be great if it wasn’t awful.
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In Paris style is everything. That is traditionally understood. Every street, every structure, every shopgirl has style.
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Surrogate experience and surrogate environments have become the American way of life.
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Waiting is a special kind of activity – if activity is the right word for it – because we are held in enforced suspension between people and places, removed from the normal rhythms of our days and lives.
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Today, when so much seems to conspire to reduce life and feeling to the most deprived and demeaning bottom line,
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And infrastructure, on its already tenuous livability, overrides any aesthetic. … Art becomes worthless in a city brutalized by overdevelopment.
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I have a feeling that picking up will go on long after ways have been found to circumvent death and taxes.
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If the British are a nation of shopkeepers, Americans are a nation of shoppers.
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Every generation tailors history to its taste.
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