The perennial architectural debate has always been, and will continue to be, about art versus use, visions versus pragmatism, aesthetics versus social responsibility.
ADA LOUISE HUXTABLEThe art of decoration requires the most sophisticated and self-indulgent skills. Its aim has always been to sate the senses as gloriously as possible… ornament is not only a source of sensuous pleasure
More Ada Louise Huxtable Quotes
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If the British are a nation of shopkeepers, Americans are a nation of shoppers.
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Nothing was more up-to-date when it was built, or is more obsolete today, than the railroad station.
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It supplies a necessary kind of magic to people and places that lack it. More than just a dread of empty spaces has led to the urge to decorate; it is the fear of empty selves.
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I have a feeling that picking up will go on long after ways have been found to circumvent death and taxes.
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The age of Lincoln and Jefferson memorials is over. It will be presidential libraries from now on.
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We want and deserve tin-can architecture in a tinhorn culture. And we will probably be judged not by the monuments we build but by those we have destroyed
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The style of Parisian architecture has been proved and refined by at least three centuries of academic dictates and highly developed taste.
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Clutter in its highest and most organized form is called collecting.
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Every age cuts and pastes history to suit its own purposes; art always has an ax to grind.
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Who’s afraid of the big, bad buildings? Everyone, because there are so many things about gigantism that we just don’t know.
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Good architecture is still the difficult, conscientious, creative, expressive planning for that elusive synthesis that is a near-contradiction in terms: efficiency and beauty.
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It is more important than ever that we receive that extra dimension of dignity or delight and the elevated sense of self that the art of building can provide through the nature of the places where we live and work.
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Real serious waiting is done in waiting rooms, and what they all have in common is their purpose, or purposelessness,
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It is the rare architect who does not hope in his heart to design a great building and for whom the quest is not a quiet, consuming passion.
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Today, when so much seems to conspire to reduce life and feeling to the most deprived and demeaning bottom line,
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Really living without clutter takes an iron will … This involves eternal watchfulness and that oldest and most relentless of the housewife’s occupations, picking up.
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the search for the ultimate skyscraper goes on. … At worst, overbuilding will make urban life unbearable. At best, we will go out in a blaze of style.
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New York, thy name is irreverence and hyperbole. And grandeur.
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Every generation tailors history to its taste.
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In the end, these unavoidable conflicts provide architecture’s essential and productive tensions; the tragedy is that so little of it rises above the level imposed by compromise, and that this is the only work most of us see and know.
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Real estate is the closest thing to the proverbial pot of gold.
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All autonomous agencies and authorities, sooner or later, turn into self-perpetuating strongholds of conventional thought and practice.
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Until the first blow fell, no one was convinced that Penn Station really would be demolished, or that New York would permit this monumental act of vandalism against one of the largest and finest landmarks of its age of Roman elegance
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Embellishment is an irresistible and consuming impulse, going back to the beginnings of human history.Probably the strongest motivating force is the simplest: the inability of almost everyone to ever leave well enough alone.
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In Paris style is everything. That is traditionally understood. Every street, every structure, every shopgirl has style.
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An excellent job with a dubious undertaking, which is like saying it would be great if it wasn’t awful.
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