. Any city gets what it admires, will pay for, and, ultimately, deserves. Even when we had Penn Station, we couldn’t afford to keep it clean.
ADA LOUISE HUXTABLEToday, when so much seems to conspire to reduce life and feeling to the most deprived and demeaning bottom line,
More Ada Louise Huxtable Quotes
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Real serious waiting is done in waiting rooms, and what they all have in common is their purpose, or purposelessness,
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The age of Lincoln and Jefferson memorials is over. It will be presidential libraries from now on.
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Clutter in its highest and most organized form is called collecting.
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If you will; they are places for doing nothing and they have no life of their own. … their one constant is what might be called a decorative rigor mortis.
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Today, when so much seems to conspire to reduce life and feeling to the most deprived and demeaning bottom line,
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Every creative act draws on the past whether it pretends to or not. It draws on what it knows. There’s no such thing, really, as a creative act in a vacuum.
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No matter what an architect may be at home, he becomes a monumentalist when he comes to Washington.
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Waiting is a special kind of activity – if activity is the right word for it – because we are held in enforced suspension between people and places, removed from the normal rhythms of our days and lives.
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Symbol and metaphor are as much a part of the architectural vocabulary as stone and steel.
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Postmodernism is a freewheeling, unfettered, and unapologetic pursuit of style.
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Only a Californian would have observed that it is becoming increasingly difficult to tell the real fake from the fake fake.
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The skyscraper is the point where art and the city meet.
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It is the rare architect who does not hope in his heart to design a great building and for whom the quest is not a quiet, consuming passion.
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It is more important than ever that we receive that extra dimension of dignity or delight and the elevated sense of self that the art of building can provide through the nature of the places where we live and work.
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There are few violations of this taste, and there is exemplary architectural consistency. Paris has defined the aesthetics of a sophisticated urban culture.
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Waiting is a large part of living. Great, passive, negative chunks of our time are consumed by waiting, from birth to death.
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The skyscraper and the twentieth century are synonymous; the tall building is the landmark of our age.Shaper of cities and fortunes, it is the dream, past and present, acknowledged or unacknowledged, of almost every architect.
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What counts more than style is whether architecture improves our experience of the built world; whether it makes us wonder why we never noticed places in quite this way before.
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California … is the place that sets the trends and establishes the values for the rest of the country; like a slow ooze, California culture spreads eastward across the land.
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Good architecture is still the difficult, conscientious, creative, expressive planning for that elusive synthesis that is a near-contradiction in terms: efficiency and beauty.
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The New York Hilton is laid out with a competence that would make a computer blush.
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Nothing was more up-to-date when it was built, or is more obsolete today, than the railroad station.
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Some people wait constructively; they read or knit. I have watched some truly appalling pieces of needlework take form. Others – I am one of them – abandon all thought and purpose to an uneasy vegetative states.
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Embellishment is an irresistible and consuming impulse, going back to the beginnings of human history.Probably the strongest motivating force is the simplest: the inability of almost everyone to ever leave well enough alone.
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In New York, the impact of these concentrated superskyscrapers on street scale and sunlight, on the city’s aniquated support systems, circulation
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If the British are a nation of shopkeepers, Americans are a nation of shoppers.
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