In New York, the impact of these concentrated superskyscrapers on street scale and sunlight, on the city’s aniquated support systems, circulation
ADA LOUISE HUXTABLEClutter in its highest and most organized form is called collecting.
More Ada Louise Huxtable Quotes
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Every generation tailors history to its taste.
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Postmodernism is a freewheeling, unfettered, and unapologetic pursuit of style.
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Clutter in its highest and most organized form is called collecting.
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Summer is the time when one sheds one’s tensions with one’s clothes, and the right kind of day is jeweled balm for the battered spirit. A few of those days and you can become drunk with the belief that all’s right with the world.
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The art of decoration requires the most sophisticated and self-indulgent skills. Its aim has always been to sate the senses as gloriously as possible. … ornament is not only a source of sensuous pleasure
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New York, thy name is irreverence and hyperbole. And grandeur.
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Really living without clutter takes an iron will … This involves eternal watchfulness and that oldest and most relentless of the housewife’s occupations, picking up.
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The New York Hilton is laid out with a competence that would make a computer blush.
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It is the rare architect who does not hope in his heart to design a great building and for whom the quest is not a quiet, consuming passion.
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Who’s afraid of the big, bad buildings? Everyone, because there are so many things about gigantism that we just don’t know.
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Today, when so much seems to conspire to reduce life and feeling to the most deprived and demeaning bottom line,
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Every creative act draws on the past whether it pretends to or not. It draws on what it knows. There’s no such thing, really, as a creative act in a vacuum.
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Waiting is a special kind of activity – if activity is the right word for it – because we are held in enforced suspension between people and places, removed from the normal rhythms of our days and lives.
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Washington is an endless series of mock palaces clearly built for clerks.
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Surrogate experience and surrogate environments have become the American way of life.
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If you will; they are places for doing nothing and they have no life of their own. … their one constant is what might be called a decorative rigor mortis.
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A disaster where marble has been substituted for imagination.
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The style of Parisian architecture has been proved and refined by at least three centuries of academic dictates and highly developed taste.
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There are few violations of this taste, and there is exemplary architectural consistency. Paris has defined the aesthetics of a sophisticated urban culture.
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Nothing was more up-to-date when it was built, or is more obsolete today, than the railroad station.
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Good architecture is still the difficult, conscientious, creative, expressive planning for that elusive synthesis that is a near-contradiction in terms: efficiency and beauty.
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The perennial architectural debate has always been, and will continue to be, about art versus use, visions versus pragmatism, aesthetics versus social responsibility.
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Only a Californian would have observed that it is becoming increasingly difficult to tell the real fake from the fake fake.
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And infrastructure, on its already tenuous livability, overrides any aesthetic. … Art becomes worthless in a city brutalized by overdevelopment.
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I have a feeling that picking up will go on long after ways have been found to circumvent death and taxes.
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The skyscraper is the point where art and the city meet.
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