Every age cuts and pastes history to suit its own purposes; art always has an ax to grind.
ADA LOUISE HUXTABLEClutter in its highest and most organized form is called collecting.
More Ada Louise Huxtable Quotes
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Who’s afraid of the big, bad buildings? Everyone, because there are so many things about gigantism that we just don’t know.
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The skyscraper and the twentieth century are synonymous; the tall building is the landmark of our age.Shaper of cities and fortunes, it is the dream, past and present, acknowledged or unacknowledged, of almost every architect.
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Some people wait constructively; they read or knit. I have watched some truly appalling pieces of needlework take form. Others – I am one of them – abandon all thought and purpose to an uneasy vegetative states.
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In New York, the impact of these concentrated superskyscrapers on street scale and sunlight, on the city’s aniquated support systems, circulation
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New York, thy name is irreverence and hyperbole. And grandeur.
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Surrogate experience and surrogate environments have become the American way of life.
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The style of Parisian architecture has been proved and refined by at least three centuries of academic dictates and highly developed taste.
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It is the rare architect who does not hope in his heart to design a great building and for whom the quest is not a quiet, consuming passion.
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Waiting is a large part of living. Great, passive, negative chunks of our time are consumed by waiting, from birth to death.
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What counts more than style is whether architecture improves our experience of the built world; whether it makes us wonder why we never noticed places in quite this way before.
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Nothing was more up-to-date when it was built, or is more obsolete today, than the railroad station.
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The skyscraper is the point where art and the city meet.
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Symbol and metaphor are as much a part of the architectural vocabulary as stone and steel.
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Washington is an endless series of mock palaces clearly built for clerks.
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It is more important than ever that we receive that extra dimension of dignity or delight and the elevated sense of self that the art of building can provide through the nature of the places where we live and work.
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