It is the rare architect who does not hope in his heart to design a great building and for whom the quest is not a quiet, consuming passion.
ADA LOUISE HUXTABLEIn Paris style is everything. That is traditionally understood. Every street, every structure, every shopgirl has style.
More Ada Louise Huxtable Quotes
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New York, thy name is irreverence and hyperbole. And grandeur.
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Real serious waiting is done in waiting rooms, and what they all have in common is their purpose, or purposelessness,
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The perennial architectural debate has always been, and will continue to be, about art versus use, visions versus pragmatism, aesthetics versus social responsibility.
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What counts more than style is whether architecture improves our experience of the built world; whether it makes us wonder why we never noticed places in quite this way before.
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California … is the place that sets the trends and establishes the values for the rest of the country; like a slow ooze, California culture spreads eastward across the land.
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Some people wait constructively; they read or knit. I have watched some truly appalling pieces of needlework take form. Others – I am one of them – abandon all thought and purpose to an uneasy vegetative states.
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The style of Parisian architecture has been proved and refined by at least three centuries of academic dictates and highly developed taste.
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And infrastructure, on its already tenuous livability, overrides any aesthetic. … Art becomes worthless in a city brutalized by overdevelopment.
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Symbol and metaphor are as much a part of the architectural vocabulary as stone and steel.
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No matter what an architect may be at home, he becomes a monumentalist when he comes to Washington.
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All autonomous agencies and authorities, sooner or later, turn into self-perpetuating strongholds of conventional thought and practice.
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Clutter in its highest and most organized form is called collecting.
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It is more important than ever that we receive that extra dimension of dignity or delight and the elevated sense of self that the art of building can provide through the nature of the places where we live and work.
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Only a Californian would have observed that it is becoming increasingly difficult to tell the real fake from the fake fake.
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The building is a national tragedy – a cross between a concrete candy box and a marble sarcophagus in which the art of architecture lies buried.
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