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The perennial architectural debate has always been, and will continue to be, about art versus use, visions versus pragmatism, aesthetics versus social responsibility.

Ada Louise Huxtable

the search for the ultimate skyscraper goes on. … At worst, overbuilding will make urban life unbearable. At best, we will go out in a blaze of style.
ADA LOUISE HUXTABLE

Goes Skyscraper Style Unbearable Urban
Every generation tailors history to its taste.
ADA LOUISE HUXTABLE

Generation History Tailor Taste
Beauty or beast, the modern skyscraper is a major force with a strong magnetic field. It draws into its physical being all of the factors that propel and characterize modern civilization.
ADA LOUISE HUXTABLE

Art Civilization Draw Magnetic Physical Strong
Who’s afraid of the big, bad buildings? Everyone, because there are so many things about gigantism that we just don’t know.
ADA LOUISE HUXTABLE

Bad Big Building Gigantism Tombstone Tragedy Triumph
If the British are a nation of shopkeepers, Americans are a nation of shoppers.
ADA LOUISE HUXTABLE

British Nation Shopkeeper Shopper Shopping United States
What counts more than style is whether architecture improves our experience of the built world; whether it makes us wonder why we never noticed places in quite this way before.
ADA LOUISE HUXTABLE

Building Delight Dimension Extra Important National Sense Tragedy Wonder
It supplies a necessary kind of magic to people and places that lack it. More than just a dread of empty spaces has led to the urge to decorate; it is the fear of empty selves.
ADA LOUISE HUXTABLE

Empty Magic Necessary People Space Supplies
The building is a national tragedy – a cross between a concrete candy box and a marble sarcophagus in which the art of architecture lies buried.
ADA LOUISE HUXTABLE

Art Box Candy Lying National Sarcophagus Tragedy
California … is the place that sets the trends and establishes the values for the rest of the country; like a slow ooze, California culture spreads eastward across the land.
ADA LOUISE HUXTABLE

Country Established Land Rest Country Trend Value
The art of decoration requires the most sophisticated and self-indulgent skills. Its aim has always been to sate the senses as gloriously as possible. … ornament is not only a source of sensuous pleasure
ADA LOUISE HUXTABLE

Aim Art Decoration Require Self Skill Sophisticated
There are few violations of this taste, and there is exemplary architectural consistency. Paris has defined the aesthetics of a sophisticated urban culture.
ADA LOUISE HUXTABLE

Aesthetic Centuries Developed Proved Violation
Real serious waiting is done in waiting rooms, and what they all have in common is their purpose, or purposelessness,
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Common Real Rigor Mortis Room Waiting Wanting
A disaster where marble has been substituted for imagination.
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Disaster Imagination Marble Substituted
Surrogate experience and surrogate environments have become the American way of life.
ADA LOUISE HUXTABLE

Friendly Real Way
The style of Parisian architecture has been proved and refined by at least three centuries of academic dictates and highly developed taste.
ADA LOUISE HUXTABLE

Academic Architecture Century Developed Dictate
The skyscraper and the twentieth century are synonymous; the tall building is the landmark of our age.Shaper of cities and fortunes, it is the dream, past and present, acknowledged or unacknowledged, of almost every architect.
ADA LOUISE HUXTABLE

Age Building Cities Dream Landmark Past Tall

The perennial architectural debate has always been, and will continue to be, about art versus use, visions versus pragmatism, aesthetics versus social responsibility.

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The perennial architectural debate has always been, and will continue to be, about art versus use, visions versus pragmatism, aesthetics versus social responsibility.

Related Topics

Popular Authors

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