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Not a word of my writing has ever been changed by another person’s hands, and I don’t think many screenwriters can say that.

Brian K. Vaughan

There’s just something about that late ’80s that suddenly feels like it has something to teach us.
BRIAN K. VAUGHAN

Feels Late Teach
I’m the one who started spreading that particular factoid, about Bendis, Azz and me all being bald Brian’s from Cleveland, just to get my name mentioned in the same sentence as two much-better writers, and it’s worked like a goddamn charm.
BRIAN K. VAUGHAN

Factor Mention Names Talking Two
That was the appealing thing about comics: There literally is no budget in comics. You’re only limited by your imagination.
BRIAN K. VAUGHAN

Budgets Comic Imagination
I’m 40 now, and I have children of my own. Before I forget my own childhood completely, I want to take some time to take a look at the ’80s and think back.
BRIAN K. VAUGHAN

Before Children Forty Now Think
I remember seeing Stand by Me, when I was around 12, and just feeling like, “This is so refreshing to see kids swear and smoke cigarettes like my friends.” It just felt much more real than the Sesame Street version of childhood that I’d been spoon-fed.
BRIAN K. VAUGHAN

Childhood Friend Kids Real Refresh
Immigration confuses and terrifies me, so why not try to write a comic and make some sense of it?
BRIAN K. VAUGHAN

Immigration Trying Writing
I’m not afraid of the world. I’m afraid of a world without you.
BRIAN K. VAUGHAN

Afraid Love Without World
I like being around teenagers. It’s good for drama; they feel everything much more intensely than adults do, their lives are much more interesting than ours. They’re mutants. They have these weird bodies that are rebelling against them and changing every day. Teenagers always equal good drama.
BRIAN K. VAUGHAN

Bodies Everything Teenagers Weird
I grew up in the suburbs of Cleveland in 1988 and there was just one year where suddenly all of the delivery kids that used to be boys were suddenly girls. It happened at our church too. Altar boys were suddenly altar girls.
BRIAN K. VAUGHAN

Boys Girl Happen Kids Suddenly
I write the book for one person – for Fiona [Staples, the artist]. I spend a lot of time just thinking how she’ll react to things and manipulating her into drawing perverse, horrific things. It’s a really weird job but I enjoy it.
BRIAN K. VAUGHAN

Books Jobs Manipulate Thinking Writing
How is it possible that our parents lied to us?” “Lets see: Santa, the Tooth Fairy,the Easter bunny,um, God. You’re the prettiest kid in school. This wont hurt a bit. Your face will freeze like that…” “Everythings going to be alright.
BRIAN K. VAUGHAN

Easter Hurt School
I mean, do you know what you get when you call a suicide hotline in New York city? A busy signal. Literally.
BRIAN K. VAUGHAN

Country Mean People Suicide
Every issue, the characters and I duke it out. They usually win.
BRIAN K. VAUGHAN

Character Issues Winning
Everyone had a mother, even if she had to leave us on a stranger’s doorstep. No matter how we’re eventually raised, all of our stories begin the exact same way. They all end the same, too.
BRIAN K. VAUGHAN

Eventually Everyone Same Strangers
I think some people are just very passionate that things remain the way they were when they were kids.
BRIAN K. VAUGHAN

Kids People Thinking
After 9/11, I knew I wanted to write about power and identity and the way Americans on all sides of the political spectrum often mythologize our leaders, which are themes that the superhero genre has always handled really well.
BRIAN K. VAUGHAN

Leader Superhero Writing

Not a word of my writing has ever been changed by another person’s hands, and I don’t think many screenwriters can say that.

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Not a word of my writing has ever been changed by another person’s hands, and I don’t think many screenwriters can say that.

Related Topics

Popular Authors

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