“You don’t see me in Los Angeles a lot. I go back home. Because I can’t play the game. I can’t – my tolerance – I know I’m getting old; I’ll be 50 this year. And you know how I know I’m getting old? ‘Cause my tolerance level is low.”

I know doing movies is where I need to be. That’s where my audience wants to see me.

You know you poor when you eatin’ breakfast food late. You fryin’ toast? At nine o’clock at night? With bacon? You’re broke.

Hugs aren’t like pieces of pie. Plenty of hugs to go around.

My humor had changed from foolishness to making sense.

You’re never going to see me playing a buffoon.

I think a lot of TV insults the audience.

I can act. I’ve been acting for a long time, but like anything else, don’t nobody owe you nothing. You’ve go to pay your dues. You go from A to Z; you don’t go from M to Z.

I was a street performer for two years.

I’m not afraid to fail. Sometimes when you lose, you win. Sometimes when you win, you lose.

You can’t change what happened. Just like you can’t change the future by worrying about it. You just have to keep moving.

Bernie Mac just says what you think but are afraid to say.

It took me a long time to get to where I’m at, in my career and as a man. I was going through my trials and tribulations in life, and it gave me the strength to tackle things that have come my way.

Why I was so intrigued with Red Skelton was because he was able to make you cry and laugh and the same time. That was power.

I had to do clubs where street gangs were, had to do motorcycle gangs, gay balls and things of that nature.

I’m not ashamed to tell the truth about what happened in my family. I think that’s what makes my comedy different.

Stand-up is what I am; stand-up is what made me.

Lack of patience is probably the most common reason for losing a game, or drawing games that should have been won.

It’s not life or death it’s a game and at the end of the game there is going to be a winner and a loser.

A draw may be the beautiful and logical result of fine attacks and parries; and the public ought to appreciate such games, in contrast, of course, to the fear-and-laziness draws.

This morning I was standing in the shower and thought how I was sick of losing and how it was about time I had a big game.

I am willing to remain and play the man’s game if there are not enough boats for more than the women and children.

Fedor has no weakness. I have seen so many fights, and even the best fighters in the world have a flaw in their game but I have yet to find one in Fedor Emelianenko.

Usually when we lose a game is because we turn the ball over or not play well enough and usually it is the turnover thing. We have to take care of the ball. It is starts with me and not turning it over.

It’s a great stretch for me to do my game show. It’s very hard. It’s not me at all. The only part that’s me is sort of when I’m sitting in the booth looking tormented. That’s the only part that’s the real me.