What is it about conformity itself that causes us all to require it of our neighbors and of our artists and then, with consummate fickleness, to forget those who fall into line and eternally celebrate those who do not?
BEN SHAHNIf you’re going to be an artist, all life is your subject. And all your experience is part of your art.
More Ben Shahn Quotes
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The moving toward one’s inner self is a long pilgrimage for a painter. It offers many temporary successes and high points, but impels him on toward the more adequate image.
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How do you paint yellow wheat against a yellow sky? You paint it jet black.
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I feel, having the choices I had, I felt I had more control over my own medium than I did over photography.
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To abstract is to draw out the essence of a matter.
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It is not the how of painting but the why. To imitate a style would be a little like teaching a tone of voice or a personality.
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Now, my knowledge of photography was terribly limited.
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I confess that Roy [Stryker] was a little bit dictatorial in his editing and he ruined quite a number of my pictures, which he stopped doing later. He used to punch a hole through a negative. Some of them were incredibly valuable. He didn’t understand at the time.
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Nobody had ever done it before, deliberately. Now it’s called documentary, which I suppose is all right … We just took pictures that cried out to be taken.
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The apprehension of… values is intuitive; but it is not a built-in intuition, not something with which one is born. Intuition in art is actually the result of… prolonged tuition.
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I believe that if it were left to artists to choose their own labels, most would choose none.
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The artist is likely to be looked upon with some uneasiness by the more conservative members of society.
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If one has set for himself the position that his painting shall not misconstrue his personal mode of thinking, then he must be rather alert to just what he does think.
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Now, when I came on to Washington to begin my job, I was so interested in photography at that time that I really would have preferred to work with Stryker than with my department, which was more artistic if you wish.
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We tried to present the ordinary in an extraordinary manner. But that’s the paradox because the only thing extraordinary about it was that it was so ordinary.
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The popular eye is not untrained; it is only wrongly trained – trained by inferior and insincere visual representations.
BEN SHAHN