“An ametuer is an artist who supports himself with outside jobs which enable him to paint. A professional is someone whose wife works to enable him to paint.”

Form is the shape of content.

The time when I had desire to go to the United States I didn’t have a penny. It was in the middle of the depression, you know. I couldn’t get as far as Hoboken at that time.

To abstract is to draw out the essence of a matter.

The natural reaction of the artist will be strongly towards bringing man back into focus as the center of importance.

The values that reside in art are anarchic, they are every man’s loves and hates and his momentary divine revelation.

I’ve been asked often what is the difference between an amateur and a professional artist, and I will tell you.

The popular eye is not untrained; it is only wrongly trained – trained by inferior and insincere visual representations.

I believe that if it were left to artists to choose their own labels, most would choose none.

A work of art rests its merits in traditional qualities. It may constitute a remarkable feat in craftsmanship; it may be a searching study of psychological states; it may be a nostalgic glance backward.

Personal style, be it that of Michelangelo, or that of Tintoretto… has always been that peculiar personal rapport which has developed between an artist and his medium.

Forms in art arise from the impact of idea upon material… so that thinking and belief and attitudes may endure as actual things.

When you talk about war on poverty it doesn’t mean very much; but if you can show to some degree this sort of thing then you can show a great deal more of how people are living and a very great percentage of our people today.

Every great historic change has been based on nonconformity, has been bought either with the blood or with the reputation of nonconformists.

Paint what you are, paint what you believe, paint what you feel.

To abstract is to draw out the essence of a matter. To abstract in art is to separate certain fundamentals from irrelevant material which surrounds them.

I was primarily interested in people, and people in action, so that I did nothing photographically in the sense of doing buildings for their own sake or a still life or anything like that.