How do you paint yellow wheat against a yellow sky? You paint it jet black.
BEN SHAHNWhen you talk about war on poverty it doesn’t mean very much; but if you can show to some degree this sort of thing then you can show a great deal more of how people are living and a very great percentage of our people today.
More Ben Shahn Quotes
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All art is based on nonconformity … Without nonconformity we would have had no Bill of Rights or Magna Carta, no public education system, no nation upon this continent, no continent, no science at all, no philosophy, and considerably fewer religions.
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Each artist comes to the painting or sculpture because there he can be told that he, the individual, transcends all classes and flouts all predictions. In the work of art, he finds his uniqueness confirmed.
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Only an individual can imagine, invent, or create. The whole audience of art is an audience of individuals.
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I became interested in photography when I was sharing a studio with Walker Evans, and found my own sketching was inadequate.
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To abstract is to draw out the essence of a matter. To abstract in art is to separate certain fundamentals from irrelevant material which surrounds them.
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Art almost always has its ingredient of impudence, its flouting of established authority, so that it may substitute its own authority and its own enlightenment.
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The artist is likely to be looked upon with some uneasiness by the more conservative members of society.
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A work of art rests its merits in traditional qualities. It may constitute a remarkable feat in craftsmanship; it may be a searching study of psychological states; it may be a nostalgic glance backward.
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Form is the shape of content.
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The time when I had desire to go to the United States I didn’t have a penny. It was in the middle of the depression, you know. I couldn’t get as far as Hoboken at that time.
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Content may by trivial. But I do not think that any person may pronounce either upon the weight or upon the triviality of an idea before its execution.
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I was brought in, not in the photographic department at all, I was brought in on a thing called Special Skills. I was to do posters, pamphlets, murals, propaganda in general, you know.
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I was primarily interested in people, and people in action, so that I did nothing photographically in the sense of doing buildings for their own sake or a still life or anything like that.
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The apprehension of… values is intuitive; but it is not a built-in intuition, not something with which one is born. Intuition in art is actually the result of… prolonged tuition.
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I believe that if it were left to artists to choose their own labels, most would choose none.
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Every great historic change has been based on nonconformity, has been bought either with the blood or with the reputation of nonconformists.
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Being an artist is not only what you do, but how you live your life.
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It may be any one of an infinite number of concepts, none of which may have any possible bearing upon its degree of newness.
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An amateur artist is one who works all week at something else so he can paint on Saturday and Sunday. A professional artist is one whose wife works so he can paint all the time.
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We tried to present the ordinary in an extraordinary manner. But that’s the paradox because the only thing extraordinary about it was that it was so ordinary.
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Nobody had ever done it before, deliberately. Now it’s called documentary, which I suppose is all right … We just took pictures that cried out to be taken.
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I feel, having the choices I had, I felt I had more control over my own medium than I did over photography.
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A youngster told me recently that he was going to give himself a year to see if he has talent. A year! It takes a lifetime to see if you have it. Painting is total engagement.
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It is an intimately communicative affair between the painter and his painting, a conversation back and forth, the painting telling the painter even as it receives its shape and form.
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I confess that Roy [Stryker] was a little bit dictatorial in his editing and he ruined quite a number of my pictures, which he stopped doing later. He used to punch a hole through a negative. Some of them were incredibly valuable. He didn’t understand at the time.
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Forms in art arise from the impact of idea upon material… so that thinking and belief and attitudes may endure as actual things.
BEN SHAHN