I think I’m more bonded, emotionally and in a craft sense, to films that tell extraordinary stories about extraordinary destinies.
BEN KINGSLEYI do remember, as a child, that I always imagined, when I was maybe 6 or 7, my fantasy was that everywhere I went I was being followed by an invisible film crew.
More Ben Kingsley Quotes
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I’m convinced that had I not changed my name, I don’t think I would have had quite the same career curve that I eventually had.
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It is better for me to serve a charity as an actor or a voice, rather than at a luncheon being just a celebrity.
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I think that most actors, and they’re a very strange lot actors, very strange people, but I think that they attempt to keep in touch with the child.
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There is always something about the villains that I’m able to play, quote unquote, that isn’t villainous.
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I’m very in love with the fact that the camera is revolted by acting and loves behaviour.
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John Lennon and Ringo Starr liked my songs. I used to write songs and they heard me sing songs on stage in London.
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The leaping Jaguar on the bonnet, to me, makes it look more like a hunter than something that is getting away. It’s a hunter. Richard III definitely would have had a chauffeur driven Jaguar MK X.
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The number of choices you make in the event that you see on stage, those choices are sometimes largely determined by the rehearsal process and the experiments that you go through and the choices that you make in the rehearsal room, not in front of an audience.
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I think that you can fall into bad habits with comedy… It’s a tightrope to stay true to the character, true to the irony, and allow the irony to happen.
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I think the cinema you like has more to do with silence, and the theater you like has more to do with language.
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I think Romeo and Juliet is uplifting. That’s how much a son wishes to avenge his father. That is how much two young people can love each other.
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I have never felt bereft of anything.
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If the director wishes to print it, then you have a series of choices, maybe millions of choices within that minute-and-a-half, or 80 seconds, or 2 minutes or however long or short the take is, you have all those choices committed to celluloid. I find that absolutely thrilling.
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My line-learning is very special. I like to learn the dialogue of the whole film before I arrive.
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I’m so dependent on reacting to the other actors on the set, and to the director. I’m very responsive. I react. And I treasure the energy that reaction gives.
BEN KINGSLEY