“Fifteen years before I became a screen actor, I was in the theatre. A lot of my work was comedy, which I loved doing. It’s harder.”

Shock is shock. Your body goes into shock, regardless of it being real blood or fake blood. The mind sends powerful messages to all the various glands and secretions in the body. It’s impossible trying to act it; it just happens. It’s a very important question: no acting.

I’ve met quite a number of people in my career, but I do have an extraordinary memory. And even though they may drift into the periphery of my memory, I can bring them right back when I need them.

I’ve never had to turn my hand to anything for monetary gain, other than pretending to be somebody else. I’m deeply fortunate.

But filming is good for you, because the crew isn’t allowed to laugh. You can’t get addicted to getting the laugh.

But comedy I’d love to do as much as humanly possible.

I have a rather naive approach, I think, to my job.

If you are a libertine, if you’re not given to long-term faithful relationships, you tend to project your behavior onto everyone else. It’s like the person who knows they’re not trustworthy; they tend to mistrust everyone else.

If your best friend has stolen your girlfriend, it does become life and death.

I didn’t go to drama school because, from the first refusal I then, as I said, a couple of weeks later, was offered a professional job, where I am immensely grateful to the journey.

When Attenborough asked me to do Gandhi it was almost like stepping off one boat and stepping on to another, even though both boats are going at 60 miles per hour.

There’s so much crap talked about acting.

I think that most actors, and they’re a very strange lot actors, very strange people, but I think that they attempt to keep in touch with the child.

There is so much to do on a film set. It is an extraordinarily invigorating and wonderful place to be, when things are running well.

I think I’m more bonded, emotionally and in a craft sense, to films that tell extraordinary stories about extraordinary destinies.

Family is family over the internet, over Skype, over the telephone. Love is love. You don’t have to actually go through some ritual to prove that you love somebody.

The camera does not like acting. The camera is only interested in filming behaviour. So you damn well learn your lines until you know them inside out, while standing on your head!

I feel a little guilty only being an actor.

All you have to do to be a camera actor is tell the truth.

I’d made these experimental films but I thought the major chore of a filmmaker was to relate to actors.

One of the things that is assumed about actors is that they are extrovert, which is almost never the case, in my experience.

Your job as an actor is to stay employed.

Whenever I think of the high salaries we are paid as film actors, I think it is for the travel, the time away, and any trouble you get into through being well known. It’s not for the acting, that’s for sure.

I’m always happy when actors get rich, because the odds on it are so long!

Don Knotts won five Emmy Awards for Outstanding Performance in a Supporting Role by an Actor or Actress in a Series [in Andy Griffith Show] in 1961, 1962, 1963, 1966 and 1967.