Words are so often used in the opposite sense, as a screen of diversion. It’s the struggle towards truthfulness which is the same whether one is writing a poem, a novel or an argument.
JOHN BERGERUnlike any other visual image, a photograph is not a rendering, an imitation or an interpretation of its subject, but actually a trace of it.
More John Berger Quotes
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The contradiction in perspective was that it structured all images of reality to address a single spectator who, unlike God, could only be in one place at a time.
JOHN BERGER -
Picasso drawings are like that… the Rembrandts are like that. The artist who most often did that was Van Gogh.
JOHN BERGER -
Never again shall a single story be told as though it were the only one.
JOHN BERGER -
All weddings are similar, but every marriage is different.
JOHN BERGER -
Everything became exchangeable because everything became a commodity.
JOHN BERGER -
The heart of Paris is like nothing so much as the unending interior of a house.
JOHN BERGER -
Landscapes can be deceptive. Sometimes a landscape seems to be less a setting for the life of its inhabitants than a curtain behind which their struggles, achievements and accidents takes place.
JOHN BERGER -
You are observed with interest but you do not observe with interest – if you do, you will become less enviable. In this respect the envied are like bureaucrats; the more impersonal they are, the greater the illusion (for themselves and for others) of their power.
JOHN BERGER -
Every city has a sex and an age which have nothing to do with demography. Rome is feminine. So is Odessa. London is a teenager, an urchin, and, in this, hasn’t changed since the time of Dickens. Paris, I believe, is a man in his twenties in love with an older woman.
JOHN BERGER -
The true content of a photograph is invisible, for it derives from a play, not with form, but with time.
JOHN BERGER -
Capitalism survives by forcing the majority, whom it exploits, to define their own interests as narrowly as possible.
JOHN BERGER -
Whenever he looked he saw the labour of existence; and this labour, recognised as such, was what constituted reality for him. (On Vincent Van Gogh)
JOHN BERGER -
The power of the glamorous resides in their supposed happiness: the power of the bureaucrat in his supposed authority.
JOHN BERGER -
Buildings become furniture, courtyards become carpets and arrases, the streets are like galleries, the boulevards conservatories. It is a house, one or two centuries old, rich, bourgeois, distinguished. The only way of going out, or shutting the door behind you, is to leave the centre.
JOHN BERGER -
The relation between what we see and what we know is never settled. Each evening we see the sun set.
JOHN BERGER