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Paris, I believe, is a man in his twenties in love with an older woman.

John Berger

Yet nowherein a zoo can a stranger encounter the look of an animal. At the most, the animal’s gaze flickers and passes on. They look sideways. They look blindly beyond.
JOHN BERGER

Animal Beyond Blindly Encounter Flicker Gaze Look Most Pass Stranger
I use charcoal a lot. Partly because it has such a fantastic range but also because it is very easy to erase.
JOHN BERGER

Charcoal Drawing Erase Fantastic Partly Range Use White Wrase
Nothing fortuitous happens in a child’s world. There are no accidents. Everything is connected with everything else and everything can be explained by everything else. . . . For a young child everything that happens is a necessity.
JOHN BERGER

Child Children Fortuitouus Happen Nothing World Young
The extreme proposition on which Giacometti based all his mature work was that no reality… could ever be shared. This is why he believed it impossible for a work to be finished. This is why the content of any work is not the nature of the figure or head portrayed but the incomplete history of him staring at it.
JOHN BERGER

Bases Extreme Finishing Giacometti History Impossible Incomplete Portrayed Proposition Reality Share Staring
We who draw do so not only to make something observed visible to others, but also to accompany something invisible to its incalculable destination
JOHN BERGER

Calculate Destination Draws Invisible Make Observed Something Visible
Oil painting did to appearances what capital did to social relations. It reduced everything to the equality of objects.
JOHN BERGER

Appearance Capital Equality Everything Object Oil Painting Reduce Relation Social
The strange power of art is sometimes it can show that what people have in common is more urgent than what differentiates them. It seems to me it’s something that theatre can do, but it’s rare; it’s very rare.
JOHN BERGER

Art Common Differentiate More People Power Rare Sometimes Strange Theatre Urgent
Seeing comes before words. The child looks and recognizes before it can speak.
JOHN BERGER

Children Looks Speak Recognize Word
Matisse did neither. He clashed his colours together like cymbals and the effect was like a lullaby.
JOHN BERGER

Clash Color Cymbal Effect Lullaby Matisse Neither Together
Publicity is the life of this culture – in so far as without publicity capitalism could not survive – and at the same time publicity is its dream.
JOHN BERGER

Capitalism Culture Dream Publicity Same Time
The past is the one thing we are not prisoners of. We can do with the past exactly what we wish. What we can’t do is to change its consequences.
JOHN BERGER

Consequences Exactly Past Prisoner Wish
A man’s presence suggests what he is capable of doing to you or for you.
JOHN BERGER

Capable Contrast Done Men Presence Suggest You
We know that the earth is turning away from it. Yet the knowledge, the explanation, never quite fits the sight.
JOHN BERGER

Earth Explanation Knowledge Quite Sight Yet
We can become anything. That is why injustice is impossible here. There may be the accident of birth, there is no accident of death. Nothing forces us to remain what we were.
JOHN BERGER

Accident Anything Birth Impossible Injustice May Nothing Remain
Tracing an imaginary line between a cluster of stars gave them an image and an identity.
JOHN BERGER

Between Cluster Gave Identity Image Imaginary Star Trace
It is seeing which establishes our place in the surrounding world; we explain that world with words, but words can never undo the fact that we are surrounded by it
JOHN BERGER

Establish Explain Fact Facts Place Seeing Surround Undo Word World

Paris, I believe, is a man in his twenties in love with an older woman.

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Paris, I believe, is a man in his twenties in love with an older woman.

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