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Paris, I believe, is a man in his twenties in love with an older woman.

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Believe City Country Love Man Men Older Twenties Woman

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Marilyn Monroe Paulo Coelho Abraham Lincoln C. S. Lewis Khalil Gibran Charlie Chaplin Gautama Buddha Isaac Newton

The woman’s sexual passion needs to be minimized, so that the spectator may feel that he has the monopoly on such passion
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Never chain your dogs together with sausages. One must accustom one’s self to be bored.
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Accustom Blessing Bored Chain Dog Sausage Self
As Nelson Mandela has pointed out, boycott is not a principle, it is a tactic depending upon circumstances.
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What is to happen next will take place within the four walls of the story. And this is possible because the story’s voice makes everything its own.
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The true content of a photograph is invisible, for it derives from a play, not with form, but with time.
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Oil painting did to appearances what capital did to social relations. It reduced everything to the equality of objects.
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The poverty of our century is unlike that of any other. It is not, as poverty was before, the result of natural scarcity, but of a set of priorities imposed upon the rest of the world by the rich.
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All weddings are similar, but every marriage is different.
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Different Marriage Similar Wedding
Compare the cinema with theatre. Both are dramatic arts. Theatre brings actors before a public and every night during the season they re-enact the same drama.
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Hope is a contraband passed from hand to hand and story to story.
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Contraband Hand Stories
Matisse did neither. He clashed his colours together like cymbals and the effect was like a lullaby.
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History always constitutes the relation between a present and its past. Consequently fear of the present leads to mystification of the past
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Landscapes can be deceptive. Sometimes a landscape seems to be less a setting for the life of its inhabitants than a curtain behind which their struggles, achievements and accidents takes place.
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Nothing fortuitous happens in a child’s world. There are no accidents. Everything is connected with everything else and everything can be explained by everything else. . . . For a young child everything that happens is a necessity.
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[O]ften art has judged the judges, pleaded revenge to the innocent and shown to the future what the past suffered, so that it has never been forgotten.
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The existence of pleasure is the first mystery. The existence of pain has prompted far more philosophical speculation.
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