The publicity image steals her love of herself as she is, and offers it back to her for the price of the product.
JOHN BERGERJapanese art looked closely around screens; Italian Renaissance art surveyed conquered nature through the window or door-frame of a palace.
More John Berger Quotes
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No painting or drawing, however naturalist, belongs to its subject in the way that a photograph does.
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It was more than that. It was the period in which we suffered more total losses than in all the rest of our life put together.
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Yet nowherein a zoo can a stranger encounter the look of an animal. At the most, the animal’s gaze flickers and passes on. They look sideways. They look blindly beyond.
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Fanaticism comes from any form of chosen blindness accompanying the pursuit of a single dogma.
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My heart born naked was swaddled in lullabies.
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Do you know the legend about cicadas? They say they are the souls of poets who cannot keep quiet because, when they were alive, they never wrote the poems they wanted to.
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The time of a cigarette is a parenthesis, and if it is shared, you are both in that parenthesis. Its like a proscenium arch for a dialogue.
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When we read a story, we inhabit it. The covers of the book are like a roof and four walls.
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We know that the earth is turning away from it. Yet the knowledge, the explanation, never quite fits the sight.
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Every authentic poem contributes to the labor of poetry… to bring together what life has separated or violence has torn apart…
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Art, when it functions like this, becomes a meeting-place of the invisible, the irreducible, the enduring, guts, and honor.
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One of the fundamental reasons why so many doctors become cynical and disillusioned is precisely because, when the abstract idealism has worn thin, they are uncertain about the value of the actual lives of the patients they are treating.
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Writers who have neither product utopian trash.
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When he painted a road, the roadmakers were there in his imagination, when he painted the turned earth of a ploughed field, the gesture of the blade turning the earth was included in his own act.
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Nothing fortuitous happens in a child’s world. There are no accidents. Everything is connected with everything else and everything can be explained by everything else. . . . For a young child everything that happens is a necessity.
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Publicity is the life of this culture – in so far as without publicity capitalism could not survive – and at the same time publicity is its dream.
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When we suffer anguish we return to early childhood because that is the period in which we first learnt to suffer the experience of total loss.
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The past grows gradually around one, like a placenta for dying.
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Capitalism survives by forcing the majority, whom it exploits, to define their own interests as narrowly as possible.
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For the artist, drawing is discovery. And that is not just a slick phrase; it is quite literally true.
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The opposite of love is not to hate but to separate. If love and hate have something in common it is because, in both cases, their energy is that of bringing and holding together
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Modern thought has transferred the spectral character of Death to the notion of time itself. Time has become Death triumphant over all.
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The animal has secrets which, unlike the secrets of caves, mountains, seas are specifically addressed to man.
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If every event which occurred could be given a name, there would be no need for stories.
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Yet the first symbols were animals. What distinguished men from animals was born of their relationship with them.
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What any true painting touches is an absence – an absence of which without the painting, we might be unaware. And that would be our loss.
JOHN BERGER