Whenever I’ve tried to ingratiate myself to an existing community, I tend to give too much, to become whatever it is they want me to be. It’s something I do automatically – I’ve learnt to immediately adapt.
MITSKIA lot of musicians talk about how they were into music from the start; they always wanted to be musicians. It wasn’t like that for me. I didn’t think of it as a job or a career – it was just something that was constant.
More Mitski Quotes
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I’d always been fascinated by death, which sounds so morbid. Especially being a woman trying to make music, I think there’s a sense that you’re never young enough, or your career is going to end soon.
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I don’t want to be a musician’s musician. I want to be an everyone’s musician.
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I think the pressure gets to me when I play shows and there’s more people in the audience than I’m used to.
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I think it’s our responsibility as artists to not only fight for our art but fight for the communities that are the reason we’re able to continue making art, especially since, in Brooklyn’s case, we as artists somehow made it ‘cool’ enough for the bigger money-making industries to start taking over.
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I’ve been very careful to always make clear that I am a real person. That’s why I’m on social media a lot.
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It’s very tempting, when somebody says they like this about you, to want to do that over and over.
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When you are a minority, it’s your job to bend, and when you love someone, you really want to make it work.
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With solo shows, you have complete control over the set list. If you feel like you want to do something different or do a new song, you can just work it in. You can talk to the audience or not talk to the audience. There’s nothing that’s set.
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You always want what you can’t have, and that all-American thing, from the day I was born,
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Growing up, I never really felt like anything was my own. I moved a lot, and I never belonged anywhere.
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I don’t really listen to pop-country, but I like really, really old country that’s closer to folk. Like Johnny Cash, who is considered country.
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On tour, people know that if they ever ask me what I want to eat, I will always say Asian food. I’m becoming a stereotype, but it’s what I want to eat. I want to eat rice.
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I think growing up the way I did has made me a lot more objective, and that’s important in the process of writing and trying to look at subjective matter that way.
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When you’re doing something you’re not used to, you kind of realize that you’re still a kid: even though the whole world around you sees you as an adult and you’re expected to act like an adult, you still haven’t actually grown up.
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I think it’s very dangerous as an artist to be comfortable.
MITSKI