What’s important to me is that my songs can exist without any material anything. It’s very reflective of my ideology.
MITSKII don’t think I’m alone in this: I’m obsessed with trying to not only be happy but maintain happiness, but my definition of happiness is skewed more towards ecstasy rather than contentment.
More Mitski Quotes
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I think my real influences are out of my control, which are the things that entered my brain when I was a kid growing up.
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Being an outsider at all times is both unhealthy and useful, because you become much more objective about things.
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I always have strong urges to sabotage myself.
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When you’re doing something you’re not used to, you kind of realize that you’re still a kid: even though the whole world around you sees you as an adult and you’re expected to act like an adult, you still haven’t actually grown up.
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I don’t really listen to pop-country, but I like really, really old country that’s closer to folk. Like Johnny Cash, who is considered country.
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I think your ego gets in the way of making something good because it kind of blinds you from the actual art.
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Sometimes when I perform, and it’s obvious the audience is just there to party, or if I feel a wall between me and the audience, I get existential about it.
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I wanted to take up guitar because playing piano is a little harder. Carrying a keyboard around is harder, and finding a real piano is much harder, and I wanted to play live more, so I figured a guitar would be easier to carry around.
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I actually love the summer. When I went to Miami on tour, I was actually like, ‘I love this place.’
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I took a few piano lessons as a kid, but it didn’t last; I just learned piano from doing it over and over on my own, because I didn’t have many friends, and there was always a keyboard in the house.
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All I want to do at karaoke is sing Mariah Carey.
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I don’t care about making anything new. I make music to express an emotion, and if the emotion is nostalgic, so be it.
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I think growing up the way I did has made me a lot more objective, and that’s important in the process of writing and trying to look at subjective matter that way.
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When I record, it’s this very precious and insular thing.
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If I have a song where I hit some really high notes, I want to try to bring in equivalently low notes somewhere in there.
MITSKI






