“If I ever found a place where I belonged, that in itself would be an identity crisis to me.”

Being an outsider makes you a really good writer.

On tour, people know that if they ever ask me what I want to eat, I will always say Asian food. I’m becoming a stereotype, but it’s what I want to eat. I want to eat rice.

I think your ego gets in the way of making something good because it kind of blinds you from the actual art.

Whenever someone says they like something about my music.

A lot of musicians talk about how they were into music from the start; they always wanted to be musicians. It wasn’t like that for me. I didn’t think of it as a job or a career – it was just something that was constant.

When you’re an adult, things mellow out. I think when you’re a teenager and you are sad and the world is ending, everything is about that one sadness.

I guess you can say I ‘do the Twist.’ I like playful dance moves that aren’t too serious.

Sometimes when I perform, and it’s obvious the audience is just there to party, or if I feel a wall between me and the audience, I get existential about it.

In my first few years of being in New York, I had a major identity crisis because I’d never stayed in one place for so long.

I’ve been very careful to always make clear that I am a real person. That’s why I’m on social media a lot.

There’s this myth that women are supposed to compete with each other or something, or we’re supposed to hate each other, and that’s totally not productive.

My father was obsessed with folk music from around the world, and I think the countless artists who performed them are my biggest influences.

I think the pressure gets to me when I play shows and there’s more people in the audience than I’m used to.

Tour isn’t good for writing, but it’s good for inspiration.

I think it’s our responsibility as artists to not only fight for our art but fight for the communities that are the reason we’re able to continue making art, especially since, in Brooklyn’s case, we as artists somehow made it ‘cool’ enough for the bigger money-making industries to start taking over.

People started calling me that, and I started being treated in a specific way.

It’s just very hard to teach a class of students about what has happened in the Global Financial Crisis.

Institutions of the newer participants in global finance had not been tested, until recently…recent crisis have underscored certain financial structure vulnerabilities that are not readily assuaged in the short run.

This is not a time to quail, it is not a crisis, nor should we see it as an excuse for wobbling or self-doubt. But it is a moment for hope.

Life isn’t like coursework, baby. It’s one damn essay crisis after another.

I’m not panicking, and I’m not scared, I’ve been through the Gulf War, the Asia crisis, and the Russian crisis.

And that will mean that we cast aside eight years of hard work, blood, sweat and tears that have gone into bringing cities and mayors and communities to the table to address what truly is a national crisis.

When there is a crisis, the first thing that gets damaged and gets harmed is democracy.

I think to deal with the situation like human crisis, 65 million people being displaced, lost their home, and with such human tragedy, has to make every level of society to be conscious and to be alert about the situation.