In my early teens, I acquired a kind of representative status: went on behalf of the family to wakes and funerals and so on. And I would be counted on as an adult contributor when it came to farm work – the hay in the summertime, for example.
SEAMUS HEANEYEven if the hopes you started out with are dashed, hope has to be maintained.
More Seamus Heaney Quotes
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The experiment of poetry, as far as I am concerned, happens when the poem carries you beyond where you could have reasonably expected to go.
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I have begun to think of life as a series of ripples widening out from an original center.
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I think childhood is, generally speaking, a preparation for disappointment.
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If you go into an underground train in London – probably anywhere, but chiefly in London – there’s that sense of almost entering a ghostly dimension. People are very still and quiet; they don’t exchange many pleasantries.
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The end of art is peace.
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The poet is on the side of undeceiving the world.
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I think of the bog as a feminine goddess-ridden ground, rather like the territory of Ireland itself.
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I think the first little jolt I got was reading Gerard Manley Hopkins – I liked other poems… but Hopkins was kind of electric for me – he changed the rules with speech, and the whole intensity of the language was there and so on.
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The experimental poetry thing is not my thing. It’s a programme of the avant-garde: basically a refusal of the kind of poetry I write.
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I think of Dermot Healy as the heir to Patrick Kavanagh.
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The gift of writing is to be self-forgetful, to get a surge of inner life or inner supply or unexpected sense of empowerment, to be afloat, to be out of yourself.
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I’m not personally obsessed with death. At a certain age, the light that you live in is inhabited by the shades – it ’tis.
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A public expectation, it has to be said, not of poetry as such but of political positions variously approvable by mutually disapproving groups.
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I believe we are put here to improve civilisation.
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History says, ‘Don’t hope on this side of the grave.’
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