The Ireland I now inhabit is one that these Irish contemporaries have helped to imagine.
SEAMUS HEANEYI think of Dermot Healy as the heir to Patrick Kavanagh.
More Seamus Heaney Quotes
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Loyalism, or Unionism, or Protestantism, or whatever you want to call it, in Northern Ireland – it operates not as a class system, but a caste system.
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But that citizen’s perception was also at one with the truth in recognizing that the very brutality of the means by which the IRA were pursuing change was destructive of the trust upon which new possibilities would have to be based.
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I’m not personally obsessed with death. At a certain age, the light that you live in is inhabited by the shades – it ’tis.
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In poetry, everything can be faked but the intensity of utterance.
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What I’ve said before, only half in joke, is that everybody in Ireland is famous. Or, maybe better, say everybody is familiar.
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I feel myself part of something. Not only being part of a community but part of an actual moment and a movement of Irish writing and art. That sense of being part of the whole thing is the deepest joy.
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I always had a superstitious fear of setting up a too well-designed writing place and then finding that the writing had absconded.
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Poetry is what we do to break bread with the dead.
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Without needing to be theoretically instructed, consciousness quickly realizes that it is the site of variously contending discourses.
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I think the first little jolt I got was reading Gerard Manley Hopkins – I liked other poems… but Hopkins was kind of electric for me – he changed the rules with speech, and the whole intensity of the language was there and so on.
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I’ve been in the habit of helping people.
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I came from a farming background, and my career was teaching.
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I think that water is immediately interesting. It’s just, as an element, it is full of life. It is associated with origin; it is bright – it reflects you.
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My language and my sensibility are yearning to admit a kind of religious or transcendent dimension. But then there’s the reality: there’s no Heaven, no afterlife of the sort we were promised, and no personal God.
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The group of writers I had grown up with in the ’60s – Derek Mahon, Michael Longley, James Simmons, John Hewitt, Paul Muldoon – formed a very necessary and self-sustaining group.
SEAMUS HEANEY