In fact, in lyric poetry, truthfulness becomes recognizable as a ring of truth within the medium itself.
SEAMUS HEANEYIn fact, in lyric poetry, truthfulness becomes recognizable as a ring of truth within the medium itself.
SEAMUS HEANEYHistory says, ‘Don’t hope on this side of the grave.’
SEAMUS HEANEYIn my early teens, I acquired a kind of representative status: went on behalf of the family to wakes and funerals and so on. And I would be counted on as an adult contributor when it came to farm work – the hay in the summertime, for example.
SEAMUS HEANEYA public expectation, it has to be said, not of poetry as such but of political positions variously approvable by mutually disapproving groups.
SEAMUS HEANEYI think that water is immediately interesting. It’s just, as an element, it is full of life. It is associated with origin; it is bright – it reflects you.
SEAMUS HEANEYThe completely solitary self: that’s where poetry comes from, and it gets isolated by crisis, and those crises are often very intimate also.
SEAMUS HEANEYNowadays, what an award gives is a sense of solidarity with the poetry guild, as it were: sustenance coming from the assent of your peers on the judging panel.
SEAMUS HEANEYThere’s never going to be a united Ireland, you know.
SEAMUS HEANEYI’ve been in the habit of helping people.
SEAMUS HEANEYThen as the years went on and my listening became more deliberate, I would climb up on an arm of our big sofa to get my ear closer to the wireless speaker.
SEAMUS HEANEYI don’t do as many readings as I used to. There was a time when I was on the road a lot more, at home in Ireland, in Britain, in Canada and the States, a time when I had more stamina and appetite for it.
SEAMUS HEANEYPoetry is a domestic art, most itself when most at home.
SEAMUS HEANEYAt home in Ireland, there’s a habit of avoidance, an ironical attitude towards the authority figure.
SEAMUS HEANEYMy experience is that prose usually equals duty – last minute, overdue-deadline stuff or a panic lecture to be written.
SEAMUS HEANEYThe experimental poetry thing is not my thing. It’s a programme of the avant-garde: basically a refusal of the kind of poetry I write.
SEAMUS HEANEYI’m a firm believer in learning by heart.
SEAMUS HEANEY