Be who you like as long as you mean it.
ALAN CUMMINGUsually, there’s a story I’ve told that leads up to why I’m singing the song. The whole concept of the show was about being authentic and connecting with these songs. The best way to do that was in a room with an audience and for people to listen to that.
More Alan Cumming Quotes
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Nowadays people don’t know how to handle it if all the ends aren’t tied up and they’re not told what to think in films. And if they’re challenged, they think it’s something wrong with the film.
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He … knew, in that instant, that his life would not be an easy one-he was different, he looked different, he thought differently.
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When there’s an adult person who’s scaring you, you grow up pretty quickly.
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It’s really rare for film directors to be that interested in things other than themselves.
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I like working on things that are very different and that involve different disguises.
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I’m not a fan of Twitter.
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Often for me, if I hear a song I know, it clicks for me and I hear it in a different way and I think, “I could sing that song. I’ve got something to say about that song. Wanting to connect with an audience and wanting them to rethink songs.
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A sweaty Macbeth with blood on his arms coming in fresh from the battle doesn’t interest me.
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I’ve actually found – especially doing my cabaret show – I’m connecting with people in a way I haven’t connected with them. I’ve found that when you’re open and honest, people respond to that, whatever you’re being open and honest about.
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I usually can find a way to do a character to make it real and work. But sometimes it’s a struggle sustaining that, because there’s such a level of personal involvement and personal, physical, and emotional distraughtness.
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There are some days when you don’t feel like being Alan Cumming.
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With Urban Secrets, I just really liked the idea of wandering around chatting to people.
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Some things are just really difficult to do. That’s what I find hard. I usually can find a way to do a character to make it real and work. But sometimes it’s a struggle sustaining that, because there’s such a level of personal involvement and personal, physical, and emotional distraughtness.
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Romeo is the most misunderstood character in literature, I think. He’s hardcore to play because he’s displaying the characteristics of Hamlet at the beginning, and, well, then everything else happens.
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In terms of the sort of class, and the sort of snobby, slightly on the back-foot thing Britain has. But it’s much more prevalent in America.
ALAN CUMMING