The need for love hallucinates a prince or princess. The oasis complex is never a complete delusion: the man in the desert does see something on the horizon. It is just that the palms have withered, the well is dry, and the place is infected with locusts.
ALAIN DE BOTTONBooksellers are the most valuable destination for the lonely, given the numbers of books that were written because authors couldn’t find anyone to talk to.
More Alain de Botton Quotes
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One rarely falls in love without being as much attracted to what is interestingly wrong with someone as what is objectively healthy.
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Rather than employing it as a supplement to active, conscious seeing, they used the medium as a substitute, paying less attention to the world than they had done previously, taking it on faith that photography automatically assured them possession of it.
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There are selections so acute that they come to define a place, with the result that we can no longer travel through that landscape without being reminded of what a great artist noticed there.
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The only people we can think of as normal are those we don’t yet know very well.
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It is perhaps when our lives are at their most problematic that we are likely to be most receptive to beautiful things.
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The finest proof of our loyalty toward one another was our monstrous disloyalties towards everyone else.
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Don’t despair: despair suggests you are in total control and know what is coming. You don’t – surrender to events with hope.
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These inventors were elevating the formulation of entrepreneurial ideas to the status of a visionary activity. Though forced to justify their efforts in the pragmatic language of venture capital, they were at heart utopian thinkers intent on transforming the world.
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Artistic accounts involve severe abbreviations of what reality will force upon us.
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Our greatest furies spring from events which violate our sense of the ground of our existence.
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Envy: a confused, tangled guide to one’s own ambitions.
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Art holds out the promise of inner wholeness.
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Arguments are like eels: however logical, they may slip from the minds weak grasp unless fixed there by imagery and style.
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A danger of travel is that we see things at the wrong time, before we have had a chance to build up the necessary receptivity and when new information is therefore as useless and fugitive as necklace beads without a connecting chain.
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One of the unexpectedly important things that art can do for us is to teach us how to suffer more successfully.
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