Writing isn’t a career choice. It’s self-medication that over time precipitates the madness it was meant to ward off.
ALAIN DE BOTTONOnly by declaring a book completely finished can one start to see how much remains to be done on it.
More Alain de Botton Quotes
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Reputation matters so much only because people so seldom think for themselves.
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It is in dialogue with pain that many beautiful things acquire their value. Acquaintance with grief turns out to be one of the more unusual prerequisites of architectural appreciation. We might, quite aside from all other requirements, need to be a little sad before buildings can properly touch us.
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Unnatural to expect that learning to be happy should be any easier than, say, learning to play the violin or require any less practice.
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At the heart of every frustration lies a basic structure: the collision of a wish with an unyielding reality.
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What kills us isn’t one big thing, but thousands of tiny obligations we can’t turn down for fear of disappointing others.
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Man seems merely dust postponed: the sublime as an encounter – pleasurable, intoxicating, even – with human weakness in the face of strength, age and size of the universe.
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Insomnia is a glamorous term for thoughts you forgot to have in the day.
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Forgiveness requires a sense that bad behaviour is a sign of suffering rather than malice.
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Our jobs make relentless calls on a narrow band of our faculties, reducing our chances of achieving rounded personalities and leaving us to suspect (often in the gathering darkness of a Sunday evening) that much of who we are, or could be, has gone unexplored.
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Not everyone is worth listening to.
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Good books put a finger on emotions that are deeply our own – but that we could never have described on our own.
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Bitterness: anger that forgot where it came from.
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We need a refuge to shore up our states of mind, because so much of the world is opposed to our allegiances. We need our rooms to align us to desirable versions of ourselves and to keep alive the important, evanescent sides of us.
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The very act of drawing an object, however badly, swiftly takes the drawer from a woolly sense of what the object looks like to a precise awareness of its component parts and particularities.
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What am I supposed to do here? What am I supposed to think?
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