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In my films I always wanted to make people see deeply. I don’t want to show things, but to give people the desire to see.

Agnes Varda

I think people should be different. I love people who don’t go by the rule that you have to be careful because you’re old, you have to do this and that, you have to eat this and that.
AGNES VARDA

Care Careful Different People Think Thinking
I’ve seen many films, and many beautiful films. And I try to keep a certain level of quality of my films. I don’t do commercials,
AGNES VARDA

Beautiful Certain Film Keep Level Many People Quality Star
Hands are the tool of the painter, the artist.
AGNES VARDA

Artist Hand Painter Tool
I’m myself – knowing I’m doing a documentary and speaking with the people, telling them I have a bed, that I can eat every day, but I would like to speak to you. And they really gave me wonderful answers.
AGNES VARDA

Bed Documentary Idea Knowing People Speak Speaking Telling Trying Wonderful
People know it’s not easy, and even though you have strong feeling and desire and endless love, it doesn’t always happen.
AGNES VARDA

Always Couple Especially Fragile Happen More Story Thirty Year
I see all these students, and I admire them – they’re trying to learn something, they go to school, they do film school, they go on shoots, they help.
AGNES VARDA

Admire Help Learn School Shoot Something Student Trying Wish
I should say nothing! I’m through with it! I hate to repeat myself all the time.
AGNES VARDA

All Hate Myself Nothing Repeat Time
But in a way we all have a Mona. We all have inside ourselves a woman who walks alone on the road. In all women there is something in revolt that is not expressed.
AGNES VARDA

Alone Inside Ourselves Revolt Road Something Way Women
The boundaries between contemporary art and cinema are so rigid. It’s unbelievable.
AGNES VARDA

Art Boundaries Cinema Contemporary Critics Film Rigid Unbelievable
You are always in the world. Even in Vagabond. I am not on the road, I am not eating nothing.
AGNES VARDA

Always Eating Even Nothing Vagabonds Way World
I’m not nostalgic. My memories are back here in my mind.
AGNES VARDA

Back Memories Memory Mind Nostalgic
When I started my first film, there were three women directors in France. Their films were OK, but I was different. It’s like when you start to jump and you put the pole very high – you have to jump very high. I thought, I have to use cinema as a language.
AGNES VARDA

Cinema Country Different Director Film First High Jump Language Pole Started Three Women
I didn’t see films when I was young. I was stupid and naïve. Maybe I wouldn’t have made films if I had seen lots of others; maybe it would have stopped me.
AGNES VARDA

Beautiful Crazy Film Maybe Stopped Stupid Young
To share a lot of ideas – not ideas – emotions, a way of looking at people, a way of looking at life. If it can be shared, it means there is a common denominator.
AGNES VARDA

Emotion Idea Life Looking Lot Mean People Share
I think the digital cameras have changed my view. Even though sometimes, including the installations that I show, I mix 35mm filming and video handmade.
AGNES VARDA

Camera Changed Digital Filming Handmade Installation Video View
Humor is such a strong weapon, such a strong answer.
AGNES VARDA

Answer Humor Strong Such Thinking Weapon

In my films I always wanted to make people see deeply. I don’t want to show things, but to give people the desire to see.

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In my films I always wanted to make people see deeply. I don’t want to show things, but to give people the desire to see.

Related Topics

Popular Authors

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