“Humor is such a strong weapon, such a strong answer. Women have to make jokes about themselves, laugh about themselves, because they have nothing to lose.”

I tried to find a language for the film – not just telling stories. I picked the Picasso painting because it said more than I could explain.

People think you are an orphan when you are a child, and don’t believe that old people can feel that they are orphans.

I’m missing some people, you know, and this is not nostalgia. I miss them. This is melancholy.

It’s interesting work for me to tell my life, as a possibility for other people to relate it to themselves – not so much to learn about me.

You have to be strong to be a carpenter, maybe, but the director of a film doesn’t need to have muscles.

I think the digital cameras have changed my view. Even though sometimes, including the installations that I show, I mix 35mm filming and video handmade.

When I did the first edit of Les plages, it was very dry and very square in a way. I was just saying the minimum. I said, Well, if this is the minimum, I don’t make it. So I tried to make it more refined.

Nostalgia doesn’t make sense, because it’s like bringing the memories back to be a special part of my day or to be part of my week. And I’m inside my memories the same way I’m inside my everyday life.

You have to invent life.

When I started I did not know I wanted to be a filmmaker. I started – I made a film. Then when I finished I said, Oh my god it’s so beautiful – I should be a filmmaker!

It’s nice to think that we have in ourselves the energy. It’s somewhere, but it’s sleeping sometimes. I try to wake it up when I need it.

I didn’t see films when I was young. I was stupid and naïve. Maybe I wouldn’t have made films if I had seen lots of others; maybe it would have stopped me.

I tried to find images, allegorical images, that I could use to express things that I didn’t want to say or didn’t want to show or I was not able to find how to show.

In my films I always wanted to make people see deeply. I don’t want to show things, but to give people the desire to see.

Sometimes I say, If I had seen some masterpieces, maybe I wouldn’t have dared start. I started very – not innocent, but naïve in a way.

I’ve always been like this – trying to find adventure where it’s still in its first élan – the first spring.

You are a multiple choice exam and I have circled all the wrong answers.

Those sound like the three best answers I’ve ever heard on this show even though it’s the first ever of this show!

I was telling people if every time I answered a question about Multan I got a rupee, I would be a multimillionaire by now.

No matter what it is, I think people want the answer they want, they don’t want the truth.

But I have to add – and this answers your other question – this catholicity in time and in space is only meaningful for me if there is, at the same time, a concentration on the Gospel.

Be true to yourself. Don’t take no for an answer. And start your Transcendental Meditation.

Never make the blunder of trying to forecast the way God is going to answer your prayer.

No matter how old you are, if a little kid hands you a toy phone, you answer it.